May be fascinating for Bulgarians, but for the rest the story looks often like a non-interrelated artificially constructed patchwork. The only enthralling scenes are from the life behind the iron curtain, where the ubiquitous police state shows its strength.
The director could not omit again to add a love scene, but it is the most ridiculous ever: the son dances, he retreats, his uncle tells him to go back to the girl for introducing himself, - cut - they are already naked swimming in a sea .... We have all seen this a thousand times already.
Also the decision to cycle strikes like lightning: the uncle just shows him the bike and tells him: get up. It is not explained how he got the idea and the vehicle.
The director could not omit again to add a love scene, but it is the most ridiculous ever: the son dances, he retreats, his uncle tells him to go back to the girl for introducing himself, - cut - they are already naked swimming in a sea .... We have all seen this a thousand times already.
Also the decision to cycle strikes like lightning: the uncle just shows him the bike and tells him: get up. It is not explained how he got the idea and the vehicle.