I really liked this version of the Three Musketeers. Then again I have liked a vast majority of the adaptations of the novel, even the 1993 version which is admittedly my least favourite of the ones I liked, but it still entertained me. The novel itself by Alexandre Dumas is superbly written and a truly entertaining read. This adaptation does deviate from it, but considering how beautiful it looked and how entertaining it was I am past caring.
I only have two real complaints of this movie. The film does suffer from being overlong at over two hours, consequently I did feel some scenes dragged but only slightly. My other complaint was that I wished Angela Lansbury and Vincent Price had more screen time. Lansbury is a fine actress, but because she is given very little to do, she failed to make an impression. Price is another fine actor, chiefly remembered for his performances in films like Pit and the Pendulum, Great Mouse Detective, Witchfinder General and Fall of the House of Usher. Sadly, as Cardinal Richelieu he is only in three or four scenes, but he was still good.
On the whole, this 1948 film has its good points. The music score is superb, and the cinematography magnificent. The scenery is splendid and I thought the costumes were truly lavish especially Milady's dresses. The film is shot in dazzling Technicolour that still looks amazing even by today's standards. The sword fights are constantly energetic and lively, and don't feel clumsy at all. The script is on the whole good, same with the acting. Although I did worry that Gene Kelly would be out of character, as I associate him mainly with musicals, he was wonderfully athletic as D'Artagnan. Van Heflin, Gig Toung and Robert Coote all gives spirited turns as Athos, Porthos and Aramis. But who impressed me most were Lana Turner who was both beautiful and haunting as Milady and June Allyson as the lovely Constance.
Overall, this 1948 film does have its flaws, but what mattered to me was who stunning it looked, it was energetic and entertaining. In these areas, that's where the film succeeded. It isn't completely faithful to the book, but I do think despite its length it is one of the better adaptations of the book out there though the 1973 film gets my vote as the definitive one. 8.5/10 Bethany Cox
I only have two real complaints of this movie. The film does suffer from being overlong at over two hours, consequently I did feel some scenes dragged but only slightly. My other complaint was that I wished Angela Lansbury and Vincent Price had more screen time. Lansbury is a fine actress, but because she is given very little to do, she failed to make an impression. Price is another fine actor, chiefly remembered for his performances in films like Pit and the Pendulum, Great Mouse Detective, Witchfinder General and Fall of the House of Usher. Sadly, as Cardinal Richelieu he is only in three or four scenes, but he was still good.
On the whole, this 1948 film has its good points. The music score is superb, and the cinematography magnificent. The scenery is splendid and I thought the costumes were truly lavish especially Milady's dresses. The film is shot in dazzling Technicolour that still looks amazing even by today's standards. The sword fights are constantly energetic and lively, and don't feel clumsy at all. The script is on the whole good, same with the acting. Although I did worry that Gene Kelly would be out of character, as I associate him mainly with musicals, he was wonderfully athletic as D'Artagnan. Van Heflin, Gig Toung and Robert Coote all gives spirited turns as Athos, Porthos and Aramis. But who impressed me most were Lana Turner who was both beautiful and haunting as Milady and June Allyson as the lovely Constance.
Overall, this 1948 film does have its flaws, but what mattered to me was who stunning it looked, it was energetic and entertaining. In these areas, that's where the film succeeded. It isn't completely faithful to the book, but I do think despite its length it is one of the better adaptations of the book out there though the 1973 film gets my vote as the definitive one. 8.5/10 Bethany Cox