I'm sure if I were raised in Italy and paid attention to Italian politics day in and day out all of what transpires in Il Divo would be no less than engrossing. The story of Androetti, the head of a government that went for seven administrations and then went on to run for President has some really fascinating things to it. One of those is seeing just how the parliament works in those scenes midway through the picture and how the country actually chooses its president, which is so far removed from the US democratic process it's hard to fathom. And I also admired how the actor playing Androetti so got into this kind of quietly conniving politician, a man who believed that politics was everything and yet would never get passionate enough to raise his voice above a whisper. Somewhere inside of him a Dick Cheney is rumbling, perhaps.
But the problem in watching the film if you don't pay attention to the Italian politics of the period, or just in general, is that the filmmakers lose you fairly quickly. I usually find myself a viewer who doesn't like to be spoon-fed information very simply, but this is on the opposite end of the cannon where only a few real details are clear enough and then the rest comes whizzing by at a quick clip (and quick indeed as the camera style is akin to the operatic nature of Scorsese, only not as talented or focused). Names of characters keep coming up as title cards, and except for a couple of names like "The Lemon" (Androetti's right-hand man), none of them really stick out, and the incidents keep piling up without any real connection. At some point the basic story does reveal itself and holds some interest, but there's a disconnect between many scenes too, and a sense of cross-cutting done a few times (i.e. the horse race scene crossed with a shooting) comes off as unimaginative.
It's not a waste of time though if you're totally ignorant about Italy's political structure and brash sense of the power dynamic. But it's not one that I particularly enjoyed, either, and its lack of a connection with the mounting details made it harder to appreciate.
But the problem in watching the film if you don't pay attention to the Italian politics of the period, or just in general, is that the filmmakers lose you fairly quickly. I usually find myself a viewer who doesn't like to be spoon-fed information very simply, but this is on the opposite end of the cannon where only a few real details are clear enough and then the rest comes whizzing by at a quick clip (and quick indeed as the camera style is akin to the operatic nature of Scorsese, only not as talented or focused). Names of characters keep coming up as title cards, and except for a couple of names like "The Lemon" (Androetti's right-hand man), none of them really stick out, and the incidents keep piling up without any real connection. At some point the basic story does reveal itself and holds some interest, but there's a disconnect between many scenes too, and a sense of cross-cutting done a few times (i.e. the horse race scene crossed with a shooting) comes off as unimaginative.
It's not a waste of time though if you're totally ignorant about Italy's political structure and brash sense of the power dynamic. But it's not one that I particularly enjoyed, either, and its lack of a connection with the mounting details made it harder to appreciate.