The first of many Emanuelle (spelt with only one 'm') films, this Italian rip-off of the famous French sex classic Emmanuelle (two 'm's) sees its sultry star Laura Gemser as journalist/photographer Mae Jordan (known professionally as—you guessed it—Emanuelle), who is in Africa for her latest assignment. Her employers are married couple Ann and Gianni Danieli (Karin Schubert and Angelo Infanti), who supposedly want our sexy snapper to capture shots of African ruins, but seem more interested in getting her into bed (and who can really blame them? The lovely lens-woman is gorgeous and gagging for it!).
What follows is a string of silly soft-core couplings with Gemser and her free-loving associates getting busy with each other at every available opportunity; these are interspersed by some really dull exposition about Ann and Gianni's marital troubles (which serves as the basis for the weak plot), some non-sexual nudity including a hilarious photographic session with Ann going back to nature (pretending to be a gazelle!), plus a little bit of 'padding' in the form of National Geographic style wild-life footage.
Director Bitto Albertini's handling of his material is, for the most part, fairly routine, although he does excel when it comes to delivering very unsubtle suggestive imagery: in particular, Ann's sex scene with a garage mechanic is made all the more entertaining by the juxtaposition of shots of a petrol nozzle filling up a car, whilst Emanuelle's naughty encounter with a hockey team whilst on a train is inter-cut with the locomotive's piston pumping rapidly in and out. Hardly a stroke of genius, but very funny!
Later entries in the series, helmed by sleaze-king Joe D'amato, combined Genser's soft-core romping with other exploitation sub-genres, making for more satisfying films as a whole. This one, however, is content to simply show as much naked flesh as possible without ever crossing the line into hard-core territory. It's just about worth catching if you're a big fan of Ms. Gemser and/or very trashy films in general, but probably of little interest to anyone else.
What follows is a string of silly soft-core couplings with Gemser and her free-loving associates getting busy with each other at every available opportunity; these are interspersed by some really dull exposition about Ann and Gianni's marital troubles (which serves as the basis for the weak plot), some non-sexual nudity including a hilarious photographic session with Ann going back to nature (pretending to be a gazelle!), plus a little bit of 'padding' in the form of National Geographic style wild-life footage.
Director Bitto Albertini's handling of his material is, for the most part, fairly routine, although he does excel when it comes to delivering very unsubtle suggestive imagery: in particular, Ann's sex scene with a garage mechanic is made all the more entertaining by the juxtaposition of shots of a petrol nozzle filling up a car, whilst Emanuelle's naughty encounter with a hockey team whilst on a train is inter-cut with the locomotive's piston pumping rapidly in and out. Hardly a stroke of genius, but very funny!
Later entries in the series, helmed by sleaze-king Joe D'amato, combined Genser's soft-core romping with other exploitation sub-genres, making for more satisfying films as a whole. This one, however, is content to simply show as much naked flesh as possible without ever crossing the line into hard-core territory. It's just about worth catching if you're a big fan of Ms. Gemser and/or very trashy films in general, but probably of little interest to anyone else.