Ingrid Bergman goes with her husband Fritz Weaver, a college professor, off to the country in the winter in order for him to write a textbook. They are welcomed by Anthony Quinn, who takes an instant liking to her, despite the fact he's already married. And, the viewer can tell she likes the attention. In fact, she even encourages him. Due to her husband's absorption in his own world of writing the book, she has felt neglected, and Anthony succeeds in making her feel special.
There's the usual feelings for each other and guilt involved: hello there; oh, no; well maybe; no no. But what makes this special is of course Ingrid Bergman's exquisite acting and the inspired casting of her and Quinn, who make a very passionate pairing. (They had been in "The Visit" together, but that was nothing like this.) Also, there's the subplot of his son not liking her at all and a total unexpected development.
But, what makes this even more mature and realistic is the relationship between Ingrid and her daughter. She wants Ingrid to come home so Ingrid can babysit her grandson and she can finally follow her dream of going back to school to better herself. Obviously, Ingrid doesn't want to leave Anthony. Why should she leave, when she's so happy? The heated argument between them at the kitchen table, about the double standard for women and mothers and how they are fulfilled or not fulfilled by a devoted home life, isn't likely to be forgotten by the viewer, especially for mothers and daughters.
Ultimately, what follows is handled very well and is likely to make a lasting impression on the film's female viewers. If you've never seen Ingrid take "A Walk in the Spring Rain," then treat yourself to this unknown and very underrated film of hers and enjoy the seasons with one of the best actresses ever.
There's the usual feelings for each other and guilt involved: hello there; oh, no; well maybe; no no. But what makes this special is of course Ingrid Bergman's exquisite acting and the inspired casting of her and Quinn, who make a very passionate pairing. (They had been in "The Visit" together, but that was nothing like this.) Also, there's the subplot of his son not liking her at all and a total unexpected development.
But, what makes this even more mature and realistic is the relationship between Ingrid and her daughter. She wants Ingrid to come home so Ingrid can babysit her grandson and she can finally follow her dream of going back to school to better herself. Obviously, Ingrid doesn't want to leave Anthony. Why should she leave, when she's so happy? The heated argument between them at the kitchen table, about the double standard for women and mothers and how they are fulfilled or not fulfilled by a devoted home life, isn't likely to be forgotten by the viewer, especially for mothers and daughters.
Ultimately, what follows is handled very well and is likely to make a lasting impression on the film's female viewers. If you've never seen Ingrid take "A Walk in the Spring Rain," then treat yourself to this unknown and very underrated film of hers and enjoy the seasons with one of the best actresses ever.