The first installment in this series was decent enough to spark my interest in checking out the sequel. Unfortunately, Why Did I Get Married Too was a sub-par attempt to reprise Perry's previous venture in couples therapy. There were a few redeemable aspects of the movie, namely, some of the characters have been further developed. The new aspects of their relationship dynamics made it interesting to see how their lives have changed. Also appreciated are the moments of bare sincerity in the dialogue. There are a few scenes where a husband and wife could be seen having a believable, vulnerable discussion about the impact of individual choices on their relationship without the bravado of over-the-top displays.
Sadly, any redeemable parts of this film were heavily flanked in overwrought dramatic scenes in an effort to create meaningful turning points, and mostly uncomfortable attempts at humor. It's as if Perry thought that hearty laughter from the characters in the more comedic scenes would somehow make the scene funnier; the mission was not accomplished. Also, Perry decided to have the movie be more dependent on Janet Jackson's character as the center pin of the plot, which is an unfortunate shift because she simply doesn't have the skills to deliver. While she is more highly emotive throughout this film, she isn't believable. It just left you feeling uncomfortable watching it happen. To make matters worst, the scene transitions felt abrupt, like you were being yanked by the collar from one end of a room to another.
On a more pitiful note, there were several lines and scenes that were way too close to those from the movies Boomerang, Soul Food, and Unfaithful. It's one thing to have a trite storyline; it's a whole other issue when scenes are taken from other movies and executed so similarly to the original that the forerunner immediately comes to the viewer's mind. This kind of poorly-done mimicry leaves you feeling duped by and embarrassed for the person attempting it. The worst part was the ending, which felt rushed and forced. Perry is certainly invested in happy endings, but this was insulting to the characters and the viewers.
Overall, the only reason I continued to watch the movie was not because it was in any way worth it, but because I have a sometimes silly desire to finish what I've started. I hope that Perry soon decides to employ screenwriters to broaden the scope of what seems to be a one-man show and production because movie scriptwriting requires a level of skill that he has not yet polished.
Sadly, any redeemable parts of this film were heavily flanked in overwrought dramatic scenes in an effort to create meaningful turning points, and mostly uncomfortable attempts at humor. It's as if Perry thought that hearty laughter from the characters in the more comedic scenes would somehow make the scene funnier; the mission was not accomplished. Also, Perry decided to have the movie be more dependent on Janet Jackson's character as the center pin of the plot, which is an unfortunate shift because she simply doesn't have the skills to deliver. While she is more highly emotive throughout this film, she isn't believable. It just left you feeling uncomfortable watching it happen. To make matters worst, the scene transitions felt abrupt, like you were being yanked by the collar from one end of a room to another.
On a more pitiful note, there were several lines and scenes that were way too close to those from the movies Boomerang, Soul Food, and Unfaithful. It's one thing to have a trite storyline; it's a whole other issue when scenes are taken from other movies and executed so similarly to the original that the forerunner immediately comes to the viewer's mind. This kind of poorly-done mimicry leaves you feeling duped by and embarrassed for the person attempting it. The worst part was the ending, which felt rushed and forced. Perry is certainly invested in happy endings, but this was insulting to the characters and the viewers.
Overall, the only reason I continued to watch the movie was not because it was in any way worth it, but because I have a sometimes silly desire to finish what I've started. I hope that Perry soon decides to employ screenwriters to broaden the scope of what seems to be a one-man show and production because movie scriptwriting requires a level of skill that he has not yet polished.