Taylan Brothers' career, beginning with commercials and TV series, had already found its stylistic maturity even in their second film Küçük Kıyamet. However, this time, we encounter some other elements, a well-written screenplay, superb acting and a perfect provincial setting are woven together masterfully.
Vavien also remarks the beginning of a new age for Turkish Cinema. Its revival in mid 90s has proved itself in an artistic level and has been internationally acclaimed in the naughties. Vavien's virtue is combining this maturity with the expectations of the audience.
On the other hand, there are some comments about the Coenesque style of the movie. I think those elements mentioned are not enough to talk for an imitation or a pastiche. The idea of getting rid of a wife or a money bag does not solely make a movie Coenesque.
Vavien also remarks the beginning of a new age for Turkish Cinema. Its revival in mid 90s has proved itself in an artistic level and has been internationally acclaimed in the naughties. Vavien's virtue is combining this maturity with the expectations of the audience.
On the other hand, there are some comments about the Coenesque style of the movie. I think those elements mentioned are not enough to talk for an imitation or a pastiche. The idea of getting rid of a wife or a money bag does not solely make a movie Coenesque.