Not all early talkies were all-talking. One of the most notable of the hybrid's is 1928's "The Singing Fool" in which Al Jolson makes a valiant attempt – despite a sticky script and Lloyd Bacon's uncertain direction – to outdo his "The Jazz Singer" (1927). The movie is about three-quarters talkie, one quarter silent. Aside from the jarring of sudden swings from spoken dialog to title cards and the camera fluidity of Bacon's direction in some of the silent sequences versus the static camera set-ups of the sound, the movie succeeds in holding attention thanks to the charisma of its two lead players, Al Jolson and the lovely Josephine Dunn, who, alas, was unable to capitalize on her success here because she was then cast in a series of either indifferent or silent vehicles (when the public was screaming for sound). Within a year, she ended up in support slots. In this movie, despite the magnitude and importance of her role, Miss Dunn is actually billed under Betty Bronson who not only has a minuscule part but a totally inept voice that lacks projection. She seems to be whispering her lines (some of her words are inaudible) rather than speaking them. But never mind, all the film's audio defects were of no importance to moviegoers. They loved Jolson's full-blooded singing and the sheer novelty of sound. Initial domestic rentals topped $5 million, supplanting the $4.5 million takings of 1921's "Four Horsemen of the Apocalypse". It wasn't until 1938 that this record was broken by Walt Disney's truly colossal $8 million domestic gross for "Snow White and the Seven Dwarfs".
Review of The Singing Fool
