Bright Leaf (1950)
6/10
Two High Maintenance Southern Women
23 May 2010
I think that Warner Brothers liked the performance that Gary Cooper gave in Edna Ferber's Saratoga Trunk which was released under their auspices a few years earlier. So when Cooper signs with Warner Brothers, Bright Leaf which is about the tobacco industry which has an Ferber like quality to it seemed perfect for him.

It didn't turn out that unfortunately. Brant Royle may be the most unsympathetic character Gary Cooper who was THE archetypal screen hero ever played. He's come back to his home which is in a valley in the tobacco growing country of North Carolina looking for vengeance on Donald Crisp the tobacco baron who ruined his father. All he has as the family heir is a closed factory. But when Crisp refuses to take an interest in Jeff Corey's new cigarette rolling machine, Cooper latches on to Corey and with medicine show doctor Jack Carson to sell the product, the three form a partnership.

Lauren Bacall who runs the town's house of joy with Gladys George helps kick start the firm with a financial investment. She likes Cooper well enough, but he's got eyes on Patricia Neal who is Crisp's daughter. Neal is a southern to the manor born heiress like Bette Davis in Jezebel and Vivien Leigh in Gone With The Wind. Those are high maintenance women and Cooper finds out just how high maintenance she is before the film concludes.

Though this is a Gary Cooper film, the female co-stars really steal this film from the men. Neal and Bacall are whom you watch and remember from Bright Leaf and of course Gladys George who is never bad in anything.

Though Bright Leaf is about a typical Edna Ferber empire builder the ending is anything like what you would find in a Ferber novel. Bright Leaf is a bit too melodramatic for my taste, but fans of the stars should find it good.
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