This is a rousing adventure story that has only a few flaws that keep it from an even higher score--amazingly good for a film that has somehow been allowed to slip into the public domain! The film begins with a really dumb girl (Anna Lee) and her even dumber father (Arthur Sinclair) hitching a ride along with the famous Allan Quartermain (Cedric Hardwicke) as he goes to meet a client. It seems that Quartermain's exploits as a great white hunter are legendary, though he seems a pretty likable guy who really is so unlike the two Irish idiots he happened upon. By the way, I have absolutely nothing against the Irish--it's just that the characters really overdo the 'I'm Irish' bit through the first part of the film.
Along the way, they happen upon a dying man and his co-traveler (Paul Robson) and they learn about some sort of treasure of King Solomon's mines. Almost instantly, the father takes off in search of the treasure--even though it's blinking insane to travel through unknown African territory and through deserts to do this---alone!!! And, it turns out his daughter is also an idiot, as soon she steals one of Quartermain's wagons and sets off in search of her father and the treasure. Oddly, Quartermain's client who has hired him for a safari (Roland Young) decides that he and Quartermain should follow her and try to save her from herself. I say they should have just let her die and then celebrated with some pie...but that wouldn't make a very interesting movie, would it?! Eventually, their insanely difficult journey brings them to a strange land where there really is an honest-to-goodness treasure. But, they have to battle the tribesmen AND nature to get the treasure and, hopefully, find the idiots and save them from themselves.
Overall, this is a really good African adventures story because the natives really do appear to be Africans, the scenery sure looks like Africa and there is no trace of the usual stock shots of animals from Asia or South America like you'd usually see in the countless low-budget films set in Africa that were the rage from the 1930s-50s. And, the story and acting are quite good, though I was a bit surprised to see Hardwicke as an action-hero--he's got a lovely voice and was a good actor, but 'macho' is not normally a word I'd associate with him! About the only problem with the film is all of Paul Robeson's gratuitous singing. Yes, he has a wonderful voice in the film, but the songs seemed irrelevant to the plot and were simply tossed in because he had a great voice. Also, oddly, his first song sure sounded a lot like a re-working of "Old Man River"--a song he made famous on Broadway and film in "Showboat" (1936).
Along the way, they happen upon a dying man and his co-traveler (Paul Robson) and they learn about some sort of treasure of King Solomon's mines. Almost instantly, the father takes off in search of the treasure--even though it's blinking insane to travel through unknown African territory and through deserts to do this---alone!!! And, it turns out his daughter is also an idiot, as soon she steals one of Quartermain's wagons and sets off in search of her father and the treasure. Oddly, Quartermain's client who has hired him for a safari (Roland Young) decides that he and Quartermain should follow her and try to save her from herself. I say they should have just let her die and then celebrated with some pie...but that wouldn't make a very interesting movie, would it?! Eventually, their insanely difficult journey brings them to a strange land where there really is an honest-to-goodness treasure. But, they have to battle the tribesmen AND nature to get the treasure and, hopefully, find the idiots and save them from themselves.
Overall, this is a really good African adventures story because the natives really do appear to be Africans, the scenery sure looks like Africa and there is no trace of the usual stock shots of animals from Asia or South America like you'd usually see in the countless low-budget films set in Africa that were the rage from the 1930s-50s. And, the story and acting are quite good, though I was a bit surprised to see Hardwicke as an action-hero--he's got a lovely voice and was a good actor, but 'macho' is not normally a word I'd associate with him! About the only problem with the film is all of Paul Robeson's gratuitous singing. Yes, he has a wonderful voice in the film, but the songs seemed irrelevant to the plot and were simply tossed in because he had a great voice. Also, oddly, his first song sure sounded a lot like a re-working of "Old Man River"--a song he made famous on Broadway and film in "Showboat" (1936).