If you're familiar with the movies of Iranian director Abbas Kiarostami, this is a big departure from his usual work. Shot in Italy with Juliette Binoche and some dude, it's basically a romantic comedy, but nothing like Hollywood would ever produce (well, it actually reminds a little bit of Before Sunset by Richard Linklater, but miles away from the Julia Roberts/Sandra Bullock avenue).
It's really enjoyable with unexpected progress of the story (unexpected especially if you're brainwashed by certain type of movies about male-female relationships). It has room for interpretation, everything is not explained and it lets the viewer bind the remaining threads. It's also funny and I found it quite intense. It held my attention and actually felt about ten minutes shorter than it really is. I have to admit that I'm a big fan of intelligent movies about male-female relationships. Long well written and acted scenes with just a man and a woman talking don't turn me off.
The formal control of the shots by the director and the cinematographer are masterful. There are those long shots that Kiarostami has used before, but used masterfully in the context of the story, and not in any "look at me, Mom, I'm sculpting in time" -art house tedium.
I talked with couple other persons who saw the movie, and they said that they didn't like it. But let me tell you that it's really good.
It's really enjoyable with unexpected progress of the story (unexpected especially if you're brainwashed by certain type of movies about male-female relationships). It has room for interpretation, everything is not explained and it lets the viewer bind the remaining threads. It's also funny and I found it quite intense. It held my attention and actually felt about ten minutes shorter than it really is. I have to admit that I'm a big fan of intelligent movies about male-female relationships. Long well written and acted scenes with just a man and a woman talking don't turn me off.
The formal control of the shots by the director and the cinematographer are masterful. There are those long shots that Kiarostami has used before, but used masterfully in the context of the story, and not in any "look at me, Mom, I'm sculpting in time" -art house tedium.
I talked with couple other persons who saw the movie, and they said that they didn't like it. But let me tell you that it's really good.