The Golden Voyage of Sinbad is directed by Gordon Hessler and stars John Phillip Law (Sinbad), Tom Baker, Caroline Munro, Douglas Wilmer, Takis Emmanuel & Martin Shaw. It includes a score by composer Miklós Rózsa and features stop-motion effects from Ray Harryhausen (this one in Dynarama). It's the second of three Sinbad films that Harryhausen made for Columbia, the others being The 7th Voyage of Sinbad (1958) and Sinbad and the Eye of the Tiger (1977). The plot sees legendary sailor Sinbad come into possession of a tablet dropped onto his ship by a mysterious flying creature. The tablet is one part of a map which greatly intrigues Sinbad so he wears it as an amulet. However, the tablet was bound for evil magician Koura (Baker) who now wants it back as it will lead to The Fountain Of Destiny. Can Sinbad, aided by the Grand Vizier Of Marabia (Wilmer), fend off Koura before he gets the rewards from the fountain to use for his evil ways?
A smooth adventure piece that's low on plotting but high on magical mystery fervour. More known for directing horror films, Hessler does an admirable job in not letting the thin story bog the movie down. Sometimes with Harryhausen led movies the stop-motion creations end up being the sole reason for watching the film. And while, as always, they are the best thing in this movie, they give the film an Arabian Nights feel to the piece, managing to charm and engage enough to round it out as a full film viewing experience. Yes the cast are sub-standard B listers, with John Law and Munro featuring, one thinks, for looks (cool beard and turban look) and bosom (whoosh!) respectively. While Tom Baker's pantomime villain act could never become tiring; such is the fun he and the audience are having with it. But this be a good old yarn that's spun well in conjunction with Harryhausen's effects. Here we are treated to a vengeful ships Figurehead, a Centaur, a winged Griffin, a tiny Gargoyle and best of the bunch-the goddess Kali, a six armed statue that is brought to life by Koura. The latter giving a moment to rival that of Talos' awakening in Jason & The Argonauts. Look out for Robert Shaw who features uncredited as the "Oracle Of All Knowledge". Rózsa adds the aural joy with mystical Arabian flavours, and Ted Moore's cinematography brings the gorgeous colours and costumes to life.
Good wholesome family entertainment. 7/10
A smooth adventure piece that's low on plotting but high on magical mystery fervour. More known for directing horror films, Hessler does an admirable job in not letting the thin story bog the movie down. Sometimes with Harryhausen led movies the stop-motion creations end up being the sole reason for watching the film. And while, as always, they are the best thing in this movie, they give the film an Arabian Nights feel to the piece, managing to charm and engage enough to round it out as a full film viewing experience. Yes the cast are sub-standard B listers, with John Law and Munro featuring, one thinks, for looks (cool beard and turban look) and bosom (whoosh!) respectively. While Tom Baker's pantomime villain act could never become tiring; such is the fun he and the audience are having with it. But this be a good old yarn that's spun well in conjunction with Harryhausen's effects. Here we are treated to a vengeful ships Figurehead, a Centaur, a winged Griffin, a tiny Gargoyle and best of the bunch-the goddess Kali, a six armed statue that is brought to life by Koura. The latter giving a moment to rival that of Talos' awakening in Jason & The Argonauts. Look out for Robert Shaw who features uncredited as the "Oracle Of All Knowledge". Rózsa adds the aural joy with mystical Arabian flavours, and Ted Moore's cinematography brings the gorgeous colours and costumes to life.
Good wholesome family entertainment. 7/10