Lady Killer (1933)
I love these multi-part stories, where one set of scenes shifts to a whole new set, and then they eventually intertwine. And I also love movies that show the inside of Hollywood, with actual recreations of movie sets and movie shoots.
Lady Killer has both, and James Cagney, too. It's fast, furious, funny, and shot with a bright, glinting intelligence. Not quite a gangster film, it does have crime and some crooked thugs. And not quite a comedy, it pulls out quite a few laughs, mostly because Cagney is a card. There are two fabulous first ladies (and they naturally must view for our man), Mae Clark and Margaret Lindsay, and a slew of second men who hold up their characters with caricature.
In all, there is no Warner message here, except maybe the virtue can sometimes prevail. It's just a lot of great scenes, witty dialog, and a play of good guys against bad guys. Look for some stunning rain scenes in California (yeah, I know), and for a huge range of interior and exterior set ups, fairly elaborate for Warner Bros. budgets.
For Cagney fans, it's a riot to see him take on, briefly, a series of roles as Indian chief, Italian lover, and prisoner on work detail. The latter, of course, is close to the real roles that made him famous, and his role here is actually a little lighter than that, a bad guy who is all wisecracks and cheerfulness. Look for some insider jokes, like the poster (and mention) of the Edward G. Robinson film, and the movie ushers wearing hats all with the Warner Brothers logo on it.
Great stuff. I loved it even as I knew it wasn't quite a masterpiece. Oh, and the new (2010) Warner DVD is sparkling, a first rate print!
I love these multi-part stories, where one set of scenes shifts to a whole new set, and then they eventually intertwine. And I also love movies that show the inside of Hollywood, with actual recreations of movie sets and movie shoots.
Lady Killer has both, and James Cagney, too. It's fast, furious, funny, and shot with a bright, glinting intelligence. Not quite a gangster film, it does have crime and some crooked thugs. And not quite a comedy, it pulls out quite a few laughs, mostly because Cagney is a card. There are two fabulous first ladies (and they naturally must view for our man), Mae Clark and Margaret Lindsay, and a slew of second men who hold up their characters with caricature.
In all, there is no Warner message here, except maybe the virtue can sometimes prevail. It's just a lot of great scenes, witty dialog, and a play of good guys against bad guys. Look for some stunning rain scenes in California (yeah, I know), and for a huge range of interior and exterior set ups, fairly elaborate for Warner Bros. budgets.
For Cagney fans, it's a riot to see him take on, briefly, a series of roles as Indian chief, Italian lover, and prisoner on work detail. The latter, of course, is close to the real roles that made him famous, and his role here is actually a little lighter than that, a bad guy who is all wisecracks and cheerfulness. Look for some insider jokes, like the poster (and mention) of the Edward G. Robinson film, and the movie ushers wearing hats all with the Warner Brothers logo on it.
Great stuff. I loved it even as I knew it wasn't quite a masterpiece. Oh, and the new (2010) Warner DVD is sparkling, a first rate print!