Don't you just love coming across films that you've never heard of before and to your surprise it turns out better than it expected. The independent low-budget horror drama "Eyes of Fire" would be one of those films you'll either become attach to or simply can't fathom the fuss. It's easy to see why it's a sleeper though --- just look when it came out (just think of the horror of this period) and there's no-one in the cast that would really stand-out on paper. However the story alone had me intrigued. From beginning to end, it projects up as nothing more than a bizarre, hallucinating mood piece. While not completely satisfying (due to its experimental tailoring consisting of some convoluted writing in the latter acts with a weak ending and cheap tacked on final frame), its unconventional style holds you there despite its purposely slow-grinding pace. The mysteriously spooky nature of it had me thinking of the similar in vein western / horror variation "The Shadow of Chikara (1977)".
A creepy folklore / witchcraft horror with absorbing atmospherics (the rich Missouri locations are alienating and suitably eerie) and a mystical layer is formed by it inspired narrative (where its told through narrated flashback) and distinctively lyrical script as we follow some western pioneers led by a reverend on the American frontier in the search of the promised land, but they stumble upon a valley that's inhabited by a devil witch and her captured souls.
What really came out of left field was the dazzling direction of writer / director Avery Crounse. While methodical and low-scale, he managed some visually breath-taking imagery of edgy horror and haunting beauty caught by the elegantly earthy and unhinged cinematography. Even during the daylight sequences, it remains just as unsettling and also the authentic, fidgety sound effects of the forest simply unnerve. Brad Fiedel's music score is slight, but skin-crawling and the variable special effects feature plenty of tripped-out colour schemes, tree decorations (you'll see) and loud explosions. It's serviceable, and the make-up FX is decently projected with a spooky looking phantom witch. It's those eyes! There are modest performances by the likes of Dennis Lipscomb, Guy Boyd, Rebecca Stanley and Kathleen Crockett in a very contemplative turn.
Fascinatingly offbeat, if meandering and jaded mystical spook flick.
A creepy folklore / witchcraft horror with absorbing atmospherics (the rich Missouri locations are alienating and suitably eerie) and a mystical layer is formed by it inspired narrative (where its told through narrated flashback) and distinctively lyrical script as we follow some western pioneers led by a reverend on the American frontier in the search of the promised land, but they stumble upon a valley that's inhabited by a devil witch and her captured souls.
What really came out of left field was the dazzling direction of writer / director Avery Crounse. While methodical and low-scale, he managed some visually breath-taking imagery of edgy horror and haunting beauty caught by the elegantly earthy and unhinged cinematography. Even during the daylight sequences, it remains just as unsettling and also the authentic, fidgety sound effects of the forest simply unnerve. Brad Fiedel's music score is slight, but skin-crawling and the variable special effects feature plenty of tripped-out colour schemes, tree decorations (you'll see) and loud explosions. It's serviceable, and the make-up FX is decently projected with a spooky looking phantom witch. It's those eyes! There are modest performances by the likes of Dennis Lipscomb, Guy Boyd, Rebecca Stanley and Kathleen Crockett in a very contemplative turn.
Fascinatingly offbeat, if meandering and jaded mystical spook flick.