Back in 1936, Leslie Howard and Humphrey Bogart starred in a tough little film based on their play by the same name. Howard is a nice drifter who just happens to walk into a desert restaurant/filling station at the same time a wanted mobster and his henchmen arrive. And, through most of the film, these crooks terrorize the patrons and make them fear for their lives. This sort of plot has been repeated several times in the 1950s with "Suddenly", "The Desperate Hours" and this film, "Dial 1119".
The major difference with "Dial 9111" and these other films is that instead of a criminal holding everyone hostage, it's an escaped mental patient--a guy who has no compunction about killing people with his stolen gun. Seeing this guy with a baby face is particularly striking. And, to make it a lot more creepy than these other films, he does so with absolutely no emotion--none! The bar is made up of a variety of patrons (some of which have interesting back stories--like the creep played by Leon Ames) as well as the amazingly blunt and rude bartender, 'Chuckles' (William Conrad).
Once the guy begins shooting people in the bar, there isn't a lot the police can do--he might be insane but he's also smart and has figured all the angles--and police are afraid to do anything lest all the captives be killed. The film then, is a very tense standoff--on with brutal violence, great tension and a lot to offer with such a low-budget film. Well worth your time.
The major difference with "Dial 9111" and these other films is that instead of a criminal holding everyone hostage, it's an escaped mental patient--a guy who has no compunction about killing people with his stolen gun. Seeing this guy with a baby face is particularly striking. And, to make it a lot more creepy than these other films, he does so with absolutely no emotion--none! The bar is made up of a variety of patrons (some of which have interesting back stories--like the creep played by Leon Ames) as well as the amazingly blunt and rude bartender, 'Chuckles' (William Conrad).
Once the guy begins shooting people in the bar, there isn't a lot the police can do--he might be insane but he's also smart and has figured all the angles--and police are afraid to do anything lest all the captives be killed. The film then, is a very tense standoff--on with brutal violence, great tension and a lot to offer with such a low-budget film. Well worth your time.