... you can always count on tears, blood, placenta and spilt beer.
Having said this, this film uses all of them to good effect. This brutal confrontation with the Flanders of Pieter Brueghel and Jacques Brel, is not without its pathetic and touching moments. It reminded me a lot of Quebec's "C.R.A.Z.Y" in its enthusiasms for its subject but with, of course, much more squalor.
The actors are all convincing and attractive in their own way and the direction is transparent and unobtrusive. The viewer should be warned that the opus is generously peppered with scenes of fornication, sometimes public, pissing, sometimes public, defecation, sometimes public, vomiting, sometimes public, public male nudity and transvestism, not to mention lots and lots of binge drinking.
I liked the anecdote in the "making of" documentary telling how one of the father's fake moustaches was fashioned from the male actors' and crew's pubic hair. It seemed fitting somehow.
Having said this, this film uses all of them to good effect. This brutal confrontation with the Flanders of Pieter Brueghel and Jacques Brel, is not without its pathetic and touching moments. It reminded me a lot of Quebec's "C.R.A.Z.Y" in its enthusiasms for its subject but with, of course, much more squalor.
The actors are all convincing and attractive in their own way and the direction is transparent and unobtrusive. The viewer should be warned that the opus is generously peppered with scenes of fornication, sometimes public, pissing, sometimes public, defecation, sometimes public, vomiting, sometimes public, public male nudity and transvestism, not to mention lots and lots of binge drinking.
I liked the anecdote in the "making of" documentary telling how one of the father's fake moustaches was fashioned from the male actors' and crew's pubic hair. It seemed fitting somehow.