Single, high-flying attorney Claudia (Daphne Zuniga), tops in her class at Harvard Law, is focused on one thing: her career, and making partner at her this-is-your-only-life law firm. Her drive for success has predictably made her miss countless family events, and is about to do the same with this year's Thanksgiving at her sister's (Gina Holden, playing a stay-at-home mom), when Claudia is suddenly thrust by a mysterious figure (Faye Dunaway) into an alternate reality wherein she had given up the idea of practicing law years before in favor of having a husband (Dan Payne) and two children.
If this story sounds somewhat familiar, perhaps you saw The Christmas Clause (TV 2008). The current movie takes the basic idea of the former, resets it from Christmas to Thanksgiving, and flips the situation, i.e., instead of a mom with three kids shown what her life would be like as a successful lawyer with all the material goods she could possibly desire, here the lawyer becomes the mom and is shown how much richer her life could be if she broadened her focus and looked beyond her career as the sole purpose of her life.
While both movies take a similar route to reach a common goal, this "remake" is executed much more adeptly, and while still firmly rooted in the traditional Hallmark mold and formula, "Thanksgiving" dispenses with many of the clichés which made "Christmas" merely pedestrian.
The acting here is uniformly good, but young Kennedi Clements as Claudia's alternate reality daughter, is a heart-stealer in this, her apparent movie debut.
If this story sounds somewhat familiar, perhaps you saw The Christmas Clause (TV 2008). The current movie takes the basic idea of the former, resets it from Christmas to Thanksgiving, and flips the situation, i.e., instead of a mom with three kids shown what her life would be like as a successful lawyer with all the material goods she could possibly desire, here the lawyer becomes the mom and is shown how much richer her life could be if she broadened her focus and looked beyond her career as the sole purpose of her life.
While both movies take a similar route to reach a common goal, this "remake" is executed much more adeptly, and while still firmly rooted in the traditional Hallmark mold and formula, "Thanksgiving" dispenses with many of the clichés which made "Christmas" merely pedestrian.
The acting here is uniformly good, but young Kennedi Clements as Claudia's alternate reality daughter, is a heart-stealer in this, her apparent movie debut.