RICARDO MONTALBAN is thoroughly convincing as a detective who has to solve a baffling murder when a woman (JAN STERLING) disappears suddenly in Cape Cod. Turns out she was a prostitute, so there's a long list of possible suspects, the chief one being an innocent man (MARSHALL THOMPSON) who is wrongly accused of the crime.
BRUCE BENNETT is effective as a professor at Harvard Medical School who is able to obtain some clues from the skeletal remains washed up on the beach. SALLY FORREST is fine as the accused man's wife who never believes he could have committed the crime but isn't sure about his infidelity. And ELSA LANCHESTER just about walks off with any scene she's in as a batty landlady who turns out to be too greedy for her own good.
With its shadowy, low-key lighting and film noir atmosphere, it's a fast-moving story well paced by John Sturgess who keeps the tale taut and tense enough throughout, only slowing a little toward the ending.
Well worth watching, a surprisingly noirish melodrama full of gritty moments not usually found in the glossier sort of films MGM was more famous for.
BRUCE BENNETT is effective as a professor at Harvard Medical School who is able to obtain some clues from the skeletal remains washed up on the beach. SALLY FORREST is fine as the accused man's wife who never believes he could have committed the crime but isn't sure about his infidelity. And ELSA LANCHESTER just about walks off with any scene she's in as a batty landlady who turns out to be too greedy for her own good.
With its shadowy, low-key lighting and film noir atmosphere, it's a fast-moving story well paced by John Sturgess who keeps the tale taut and tense enough throughout, only slowing a little toward the ending.
Well worth watching, a surprisingly noirish melodrama full of gritty moments not usually found in the glossier sort of films MGM was more famous for.