Out of 20th Century Fox, The Desert Fox is directed by Henry Hathaway and adapted for the screen by Nunnally Johnson (also producing) from the biography of Erwin Rommel written by Brigadier Desmond Young. It stars James Mason as Rommel who in turn is supported by Cedric Hardwicke, Jessica Tandy, Luther Adler, Everett Sloane, Leo Carroll, George Macready & Richard Boone.
Possibly the first mainstream film to boldly humanise a German military leader, The Desert Fox is propelled by a mesmerising performance by Mason and backed up by Johnson's literate script. It condenses Young's biography into just an hour and half of film, but in that relatively short running time the makers have done enough to give decent insight into a man who the opposition had much respect for. The plot basically takes us on Rommel's journey from victories in North Africa, where he is loyally followed by the Afrika Korps, to his defeat at El Alamein (infuriating Hitler by disregarding orders), to French coastal defences, his role in the failed attempt to assassinate Hitler and his subsequent death by military command. Shot in a sort of semi-documentary style by Hathaway, with stock war footage flitting in and out of the film, it's credit to Hathaway that the direction is pacey and doesn't get bogged down by the necessary long passages of dialogue exchanges. The support cast all do fine work, with Adler's cameo as the Fuhrer particularly memorable, while the overriding satisfaction comes from finally seeing a Hollywood production capable of an even handed and sympathetic portrait of a opposition leader.
Good adult cinema. 7/10
Possibly the first mainstream film to boldly humanise a German military leader, The Desert Fox is propelled by a mesmerising performance by Mason and backed up by Johnson's literate script. It condenses Young's biography into just an hour and half of film, but in that relatively short running time the makers have done enough to give decent insight into a man who the opposition had much respect for. The plot basically takes us on Rommel's journey from victories in North Africa, where he is loyally followed by the Afrika Korps, to his defeat at El Alamein (infuriating Hitler by disregarding orders), to French coastal defences, his role in the failed attempt to assassinate Hitler and his subsequent death by military command. Shot in a sort of semi-documentary style by Hathaway, with stock war footage flitting in and out of the film, it's credit to Hathaway that the direction is pacey and doesn't get bogged down by the necessary long passages of dialogue exchanges. The support cast all do fine work, with Adler's cameo as the Fuhrer particularly memorable, while the overriding satisfaction comes from finally seeing a Hollywood production capable of an even handed and sympathetic portrait of a opposition leader.
Good adult cinema. 7/10