Smash Up (1947)
A moving, dramatic story of a singer and then wife and mother and her battle with alcohol. At first you don't know this is going to figure, and it seems to be about a female singer stepping aside to let her new husband's singing career rise. Which it does. And singing dominates the first half to the point of being a musical (and to the point that some viewers might give up on it).
But don't. It's a really good film, the voices are strong even if very old fashioned, and the leading woman's performance is all out, really terrific. She got an Oscar nomination for this role and it's no wonder.
The leading man was probably chosen for his silky rich voice, but Lee Bowman is a very natural actor, and he keeps up his end of the relationship. And this relationship suffers, thanks to career and to the sharp looking and devious Marsha Hunt playing a secretary who likes this singer too much. There are lots of great scenes of parties and night clubs, and even (by contrast) raising a baby. There are lots of movies with these kinds of themes, including a baby who has a brush with death (I give nothing more away), and everything is played out with elegance and smarts.
The elegance comes from great cinematographer Stanley Cortez ("Night of the Hunter") and the smarts come from director Stuart Heisler ("The Glass Key") who never quite rose to his potential in the industry, turning eventually to television. The supporting cast is terrific, including a very natural and likable Eddie Albert, but it's Hayward to eventually steals the show. See her!
A moving, dramatic story of a singer and then wife and mother and her battle with alcohol. At first you don't know this is going to figure, and it seems to be about a female singer stepping aside to let her new husband's singing career rise. Which it does. And singing dominates the first half to the point of being a musical (and to the point that some viewers might give up on it).
But don't. It's a really good film, the voices are strong even if very old fashioned, and the leading woman's performance is all out, really terrific. She got an Oscar nomination for this role and it's no wonder.
The leading man was probably chosen for his silky rich voice, but Lee Bowman is a very natural actor, and he keeps up his end of the relationship. And this relationship suffers, thanks to career and to the sharp looking and devious Marsha Hunt playing a secretary who likes this singer too much. There are lots of great scenes of parties and night clubs, and even (by contrast) raising a baby. There are lots of movies with these kinds of themes, including a baby who has a brush with death (I give nothing more away), and everything is played out with elegance and smarts.
The elegance comes from great cinematographer Stanley Cortez ("Night of the Hunter") and the smarts come from director Stuart Heisler ("The Glass Key") who never quite rose to his potential in the industry, turning eventually to television. The supporting cast is terrific, including a very natural and likable Eddie Albert, but it's Hayward to eventually steals the show. See her!