Believe it or not, Robert Wagner steals the picture as a slick song and dance man, who can con his way to just about anything until he meets up with Father Conroy.
Yes, Bing Crosby dons the priestly garb once again and is most effective in his third role as a priest.
Wagner can be cunning, vicious and Lord knows what else as he tries to bed down as many women as possible. Forced to take a job at his seedy nightclub, Debbie Reynolds nearly falls for the ways of this smooth talking gigolo. Both she and her father are devout parishioners at Conroy's church, which is in the heart of the theatrical district.
Wagner even tries to turn the tables on the Good Father Conroy, until he learns some humility and respect for mankind.
Most surprising is that Wagner carries the song and dance routines with Reynolds. She is amazingly weak in them, but the film is an absolute joy to watch.
The wonderful Ray Walston appears as an alcoholic song writer, who is in Tony's (Wagner's) orbit.
"Say One for Me" is saying something real good.
Yes, Bing Crosby dons the priestly garb once again and is most effective in his third role as a priest.
Wagner can be cunning, vicious and Lord knows what else as he tries to bed down as many women as possible. Forced to take a job at his seedy nightclub, Debbie Reynolds nearly falls for the ways of this smooth talking gigolo. Both she and her father are devout parishioners at Conroy's church, which is in the heart of the theatrical district.
Wagner even tries to turn the tables on the Good Father Conroy, until he learns some humility and respect for mankind.
Most surprising is that Wagner carries the song and dance routines with Reynolds. She is amazingly weak in them, but the film is an absolute joy to watch.
The wonderful Ray Walston appears as an alcoholic song writer, who is in Tony's (Wagner's) orbit.
"Say One for Me" is saying something real good.