The second in the "Blood Island" series ups the ante with even more explicit sex and violence, recycling much from "Brides of Blood", including John Ashley. I didn't notice any other holdovers from the previous film, but the director hired actors who looked just like them anyway. There are carbon copies of Arcadio, Goro, Esteban Powers, and Alma, as well as the lovely Angelique Pettyjohn standing in for Beverly Hills.
The plot is even wilder than before. This time, Ashley and damsel-in-distress-to-be Pettyjohn travel to Blood Island to locate her estranged father. No, the island is not called Matool. Anyway, what they discover is that the island is being stalked by a rampaging green humanoid monster, the result of a mad doctor's botched experiment involving chlorophyll used as a means of transforming human beings. Or something like that, right? Do we really care? There's a monster and it's killing people, and the protagonists don't have the sense to leave.
Fans of naked ladies have plenty to look at, as the film literally opens with a nude woman being chased through the jungle by the creature. The gore in the film is gratuitous and ever-present, with the monster clawing people to death, ripping out their guts, and in one especially angry moment, attacking a young couple making out in the jungle. It rips off the man's arm (or was it a leg?) and efficiently removes the woman's head, tossing it in the air. What a cranky monster! It's also worth mentioning that the movie contains a very disturbing sequence where real animals are violently slaughtered on camera--a "native ritual" concludes with the natives rushing at some bound goats and pigs, stabbing them to death with knives, which was a genuine shock for me.
Yet personally, I prefer "Brides of Blood" over this one, for one major reason. The director has attempted to disguise the ridiculous monster by using a pulsating zoom lens effect every time it's on screen. It's a gimmick that you'll either love or hate, and it's much more pronounced than the shakycam shenanigans of "The Blair Witch Project" or similar hand-held horror films. On a big screen, this effect would have been absolutely nauseating to me.
Still, I'd recommend this movie to anybody who liked the first one, or anybody who digs grade-Z drive-in trash just like I do. The horror exotica settings do a lot to make the film interesting, and believe it or not, the ridiculous dialog exists alongside scenes that actually are well-written and memorable. Who expected THAT?
The plot is even wilder than before. This time, Ashley and damsel-in-distress-to-be Pettyjohn travel to Blood Island to locate her estranged father. No, the island is not called Matool. Anyway, what they discover is that the island is being stalked by a rampaging green humanoid monster, the result of a mad doctor's botched experiment involving chlorophyll used as a means of transforming human beings. Or something like that, right? Do we really care? There's a monster and it's killing people, and the protagonists don't have the sense to leave.
Fans of naked ladies have plenty to look at, as the film literally opens with a nude woman being chased through the jungle by the creature. The gore in the film is gratuitous and ever-present, with the monster clawing people to death, ripping out their guts, and in one especially angry moment, attacking a young couple making out in the jungle. It rips off the man's arm (or was it a leg?) and efficiently removes the woman's head, tossing it in the air. What a cranky monster! It's also worth mentioning that the movie contains a very disturbing sequence where real animals are violently slaughtered on camera--a "native ritual" concludes with the natives rushing at some bound goats and pigs, stabbing them to death with knives, which was a genuine shock for me.
Yet personally, I prefer "Brides of Blood" over this one, for one major reason. The director has attempted to disguise the ridiculous monster by using a pulsating zoom lens effect every time it's on screen. It's a gimmick that you'll either love or hate, and it's much more pronounced than the shakycam shenanigans of "The Blair Witch Project" or similar hand-held horror films. On a big screen, this effect would have been absolutely nauseating to me.
Still, I'd recommend this movie to anybody who liked the first one, or anybody who digs grade-Z drive-in trash just like I do. The horror exotica settings do a lot to make the film interesting, and believe it or not, the ridiculous dialog exists alongside scenes that actually are well-written and memorable. Who expected THAT?