Leprechaun (1992)
An early 90s classic
3 September 2011
The first 3 films in the Leprechaun series have a place in my heart for being one of the most original, memorable, and most of all, _fun_ horror movies of my childhood. Sure, there are better and more critically acclaimed horror franchises (Friday the 13th, Halloween, Alien, Hellraiser, Nightmare on Elm Street, etc.), but it has a unique appeal in its own way.

As a horror film, Leprechaun has a very original and creative premise. The concept of a killer leprechaun seems ridiculous (because it is), but it's this whimsical and fanciful nature that gives outlandish horror films like Leprechaun, Tremors, Critters, Killer Klowns from Outer Space, etc. a magical quality that enthralls audiences, especially the young.

Warwick Davis was ideally cast as the titular villain, and he performs the role brilliantly, creating one of the most memorable and interesting monster characters in horror film history. Sure, the Leprechaun is evil and vicious and incredibly hideous, but he also has a comical and playful nature that almost makes you root for him instead of the good guys. Even though he stands not 3 feet tall, he has a giant personality and a larger-than-life attitude. This, really, is the key to Leprechaun's appeal and the reason why so many sequels were made.

As typical of films in this genre, Leprechaun and its sequels adhere to a set of spoken and unspoken rules which spell out whom the Leprechaun goes after and who will die. The Leprechaun doesn't just kill randomly; there is, after all, order to the chaos. For the Leprechaun's ultimate goal is to simply reclaim that which is rightfully his--his gold. So, as a villain, the Leprechaun actually has a unique sense of justice--albeit medieval justice--and this makes for an interesting dynamic not found in more typical horror movies, allowing the Leprechaun to be friendly to some individuals rather than killing everyone he comes across. It's also these rules which put a limit on the Leprechaun's almost unlimited powers. Hidden in these rules also lies the Leprechaun's weakness, making for some very interesting plot devices throughout the series.

I particularly enjoy Leprechaun and its kin because they balance out the dark, morbid aspects of a horror film with a somewhat light-hearted and less-than-serious tone, creating a fun and uplifting film-going experience. And true to the genre, Warwick's often comical Leprechaun character adds some welcomed comedic relief, even as he's torturing & killing his hapless victims.

Outlandish horror flicks like Leprechaun are also usually much more original and creative than the typical slasher movie and generally embody more elements of sci-fi or fantasy to their story lines. The Leprechaun films exploit this to the fullest, using the magical abilities of the Leprechaun to murder and maim people in inventive and occasionally humorous ways. Here, the rules of the Leprechaun universe allow the Leprechaun to turn people's desires and vices against them, though to be perfectly honest, this element of the franchise isn't really exploited until the second and 3rd films.

Lastly, unlike films like Gremlins, which are also very imaginative and maintain an upbeat mood and fantastical premise, Leprechaun is not a watered down made-for-kids family-friendly horror film. There is still all the gore, violence, uncensored vulgarity and creepiness that a real horror film should contain. But unlike many of today's horror films, it doesn't rely exclusively on gore and jump scenes to reel the audience in. It uses everything in the perfect amount--as the plot dictates. This, to me, is one of the hallmarks of good horror.
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