"Der Tiger von Eschnapur" is a film about a German architect who is brought to India to work for the Maharajah of Enschnapur (a fictitious kingdom). Along the way, he exercises very poor judgment and falls in love with a half-caste (Debra Paget) and they both risk their lives if they act upon this love. And so, naturally, they do and the film ends with their fleeing for their lives. Exactly what happens next, you'll need to see in the second film in this series--"The Indian Tomb".
I enjoyed "Der Tiger von Eschnapur". It was the sort of film that was like a throwback to the 1940s--to the films of Universal Studios. In many ways, it was a bit like "The Cobra Woman", "Thief of Bagdad" or a movie serial--full of action, romance and escapism. On the other hand, it certainly was not a great piece of art--more like a B-movie with a slightly higher budget and a nice locale. Plus, Miss Paget had one of the sexiest dance numbers I can recall having seen apart from Rita Hayworth's in "Gilda". However, to put it bluntly, it was a decent film but not good enough to enable the director, Fritz Lang, to be able to mount a comeback to his former greatness. But with small bad touches (one-dimensional characters and some bad special effects--such as the obviously stuffed tiger during the big climactic scene and the wooden-looking severed head), it certainly isn't a great work of art--more just Saturday matinée escapism and nothing more. But, frankly, sometimes that is all you need to have a bit of fun.
I enjoyed "Der Tiger von Eschnapur". It was the sort of film that was like a throwback to the 1940s--to the films of Universal Studios. In many ways, it was a bit like "The Cobra Woman", "Thief of Bagdad" or a movie serial--full of action, romance and escapism. On the other hand, it certainly was not a great piece of art--more like a B-movie with a slightly higher budget and a nice locale. Plus, Miss Paget had one of the sexiest dance numbers I can recall having seen apart from Rita Hayworth's in "Gilda". However, to put it bluntly, it was a decent film but not good enough to enable the director, Fritz Lang, to be able to mount a comeback to his former greatness. But with small bad touches (one-dimensional characters and some bad special effects--such as the obviously stuffed tiger during the big climactic scene and the wooden-looking severed head), it certainly isn't a great work of art--more just Saturday matinée escapism and nothing more. But, frankly, sometimes that is all you need to have a bit of fun.