The most interesting aspect of House By The River is the fact that it was produced at Republic Pictures, the home of Roy Rogers and several other B movie cowboys and the values those pictures put forth. Hardly the place for a moody and atmospheric thriller that examines a man's moral degeneracy directed by Fritz Lang who always likes to explore the dark. One thing that does mark this as a Republic film is the usual Herbert J. Yates economy.
But for a director like Lang who was used to exploring shadowy worlds, economy on the set isn't a hindrance, though back in Germany this man directed the opulent Metropolis. House By The River delivers the most for its meager budget.
Louis Hayward who was a poor man's Tyrone Power and like Power could play straight heroes and hero/heels gets his Nightmare Alley type role as the rich and idle writer who just can't move the writer's block. He takes a real fancy to maid Dorothy Patrick and when she repulses his advances, Hayward kills her. He gets older and club footed brother Lee Bowman to dump the body in the river. But as dead bodies will do, they bloat and have a nasty habit of floating to the top.
Lang and Hayward create a really frightening picture of moral degeneracy that would have resonated well with post World War II audiences who had just defeated a nation gripped in the philosophy that it was a race of super people. Jane Wyatt gets her innings in playing Hayward's wife who Bowman also loved and who starts thinking that maybe she married the wrong brother.
I have to single out Jody Gilbert from the cast who plays Bowman's housekeeper and who Bowman takes his frustrations out on after he's helped Hayward. She's not the sharpest knife in the drawer and misreads all of Bowman's signals and later does him damage at a coroner's inquest.
I'm not sure how much money House By The River brought in to Republic Pictures, but it is a minor masterpiece for this studio.
But for a director like Lang who was used to exploring shadowy worlds, economy on the set isn't a hindrance, though back in Germany this man directed the opulent Metropolis. House By The River delivers the most for its meager budget.
Louis Hayward who was a poor man's Tyrone Power and like Power could play straight heroes and hero/heels gets his Nightmare Alley type role as the rich and idle writer who just can't move the writer's block. He takes a real fancy to maid Dorothy Patrick and when she repulses his advances, Hayward kills her. He gets older and club footed brother Lee Bowman to dump the body in the river. But as dead bodies will do, they bloat and have a nasty habit of floating to the top.
Lang and Hayward create a really frightening picture of moral degeneracy that would have resonated well with post World War II audiences who had just defeated a nation gripped in the philosophy that it was a race of super people. Jane Wyatt gets her innings in playing Hayward's wife who Bowman also loved and who starts thinking that maybe she married the wrong brother.
I have to single out Jody Gilbert from the cast who plays Bowman's housekeeper and who Bowman takes his frustrations out on after he's helped Hayward. She's not the sharpest knife in the drawer and misreads all of Bowman's signals and later does him damage at a coroner's inquest.
I'm not sure how much money House By The River brought in to Republic Pictures, but it is a minor masterpiece for this studio.