For some reason I have been postponing watching 'Udaan' until finally I watched it last night. I figured, why shouldn't it be the first film I watch this year? I had only heard many good things about it but even then it surpassed my expectations. 'Udaan' is one of those rare Indian films that scores high on every component of filmmaking, be it, direction, writing, cinematography, casting, score... It looks authentic and it feels honest.
What particularly stands out about 'Udaan' is how true to life it is and at the same time it's not a documentary style film but one with a great big heart that tells an inspiring story of a teenager fighting for his dream to become the man he aspires to. Vikramaditya Motwane and Anurag Kashyap have done an outstanding job in the writing department. It's very detailed without being showy, poetic without being operatic, subtle without being too restrained and poignant without being preachy.
In addition, Motwane does a phenomenal job translating the words from paper to screen. The narrative style is superb and remains consistent throughout. The characters are very human and easily recognizable mostly because of how the relationships are depicted, with sincerity.
Shetty's cinematography works in a subtle way. Every frame is photogenic but not to the point of looking like a postcard or being distracting. Trivedi's score is used very efficiently, never intrusive but rather contributing by echoing the mood of the sequences. Kalra's editing is solid as never does the pace feel uneven nor does the film lose its focus at any point.
Now coming to the performances, each and every actor's portrayal is genuine. Starting with newcomer Rajat Barmecha who is spot on as he looks the part and acts sublime. Ronit Roy finally gets a role that showcases his previously unknown talent. This is definitely a breakthrough performance for the actor who's been in movies for almost two years. While his portrayal of the authoritarian father is haunting one can also sympathize for him as he himself is a victim of abuse and he really does believe that he's doing the best for his sons and yet shows signs of regret at some of the wrong decisions. Ram Kapoor is equally convincing as the supportive light-hearted uncle who is the polar opposite of the quick tempered father. And of course, last but not least, there is young Aayan Boradia who delivers one of the most accurate performances of a child. It's amazing how, mostly through non-verbal gestures, he displays Arjun's innocence, loneliness, quiet suffering and longing with such precision
While most of the first act and second act of the film depicts Rohan and Arjun's quiet suffering, the final act is excellently cathartic. I don't mean cathartic in the sense that events take an explosive turn that involves loud confrontations. Here it's rather matter-of-factly but at the same time energetic, invigorating and symbolic. Even though I was expecting what Rohan would eventually do for himself to escape his father's imprisonment, there are some precious little surprises that happen along the way, making 'Udaan' a one-of-a-kind gem.
'Udaan' is a celebration of the human spirit. I'm very glad I picked this movie to start the year.
What particularly stands out about 'Udaan' is how true to life it is and at the same time it's not a documentary style film but one with a great big heart that tells an inspiring story of a teenager fighting for his dream to become the man he aspires to. Vikramaditya Motwane and Anurag Kashyap have done an outstanding job in the writing department. It's very detailed without being showy, poetic without being operatic, subtle without being too restrained and poignant without being preachy.
In addition, Motwane does a phenomenal job translating the words from paper to screen. The narrative style is superb and remains consistent throughout. The characters are very human and easily recognizable mostly because of how the relationships are depicted, with sincerity.
Shetty's cinematography works in a subtle way. Every frame is photogenic but not to the point of looking like a postcard or being distracting. Trivedi's score is used very efficiently, never intrusive but rather contributing by echoing the mood of the sequences. Kalra's editing is solid as never does the pace feel uneven nor does the film lose its focus at any point.
Now coming to the performances, each and every actor's portrayal is genuine. Starting with newcomer Rajat Barmecha who is spot on as he looks the part and acts sublime. Ronit Roy finally gets a role that showcases his previously unknown talent. This is definitely a breakthrough performance for the actor who's been in movies for almost two years. While his portrayal of the authoritarian father is haunting one can also sympathize for him as he himself is a victim of abuse and he really does believe that he's doing the best for his sons and yet shows signs of regret at some of the wrong decisions. Ram Kapoor is equally convincing as the supportive light-hearted uncle who is the polar opposite of the quick tempered father. And of course, last but not least, there is young Aayan Boradia who delivers one of the most accurate performances of a child. It's amazing how, mostly through non-verbal gestures, he displays Arjun's innocence, loneliness, quiet suffering and longing with such precision
While most of the first act and second act of the film depicts Rohan and Arjun's quiet suffering, the final act is excellently cathartic. I don't mean cathartic in the sense that events take an explosive turn that involves loud confrontations. Here it's rather matter-of-factly but at the same time energetic, invigorating and symbolic. Even though I was expecting what Rohan would eventually do for himself to escape his father's imprisonment, there are some precious little surprises that happen along the way, making 'Udaan' a one-of-a-kind gem.
'Udaan' is a celebration of the human spirit. I'm very glad I picked this movie to start the year.