Review of Tempest

Tempest (1928)
David Jeffers for SIFFblog2
24 January 2012
Warning: Spoilers
Monday January 23, 7pm, The Paramount, Seattle

"Epaulets don't make an aristocrat. They will never accept you."

A peasant rises through the ranks to become an army officer in Czarist Russia. Treated with contempt by the aristocracy, Ivan (John Barrymore) is disgraced and imprisoned by the princess he loves, as revolution looms on the horizon.

Directed by former Harold Lloyd gagman Sam Taylor, Tempest (1928) is notable for Charles Rocher's photography and the art direction of William Cameron Menzies. Receiving the first Academy Award in that category for Tempest and The Dove (1928), Menzies created the role of production designer within the Hollywood studio system.

Barrymore ignored his audience in choosing Beloved Rogue (1927) and Tempest, his last silent films. Both casting and performance fall short in a lackluster story with one single, extraordinary exception. Character actor George Fawcett, the standard bearer for paternal authority figures in nineteen-twenties Hollywood, gives his career performance as The General. Fawcett's final scene, with Barrymore, is worth the price of admission.
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