Tyrannosaur (2011)
8/10
Dark, depressing.....and simply stunning.
21 February 2012
I don't feel the need to drone on at length as some other users have effectively summarised the film's core plot and themes. However, I felt that this film was such a work of art I could not help myself but come on here and add my voice to the chorus of compliments this film has been receiving.

I like nothing better in a movie than something that is thought provoking and gripping. I get so bored with some of the formulaic nonsense churned out by filmmakers these days, particularly from Hollywood. If I sit down to watch a film and I find myself utterly absorbed then that's usually a sign that the piece is something special. This was one such film and it was over before it had even started, such did it hold my attention that I had no concept of the passage of time.

The script, written by director Paddy Considine, isn't anything out of this world. It's fairly basic and, in plenty of instances, predictable. It is actually the direction and masterclass acting performances that serve to make this movie what it is. It is abundantly clear what the script sets out to do. Had the cast been average, or simply not the correct casting choices, this movie would've been instantly forgettable. However, all three of the principle cast are absolutely amazing. Peter Mullan's good hearted tortured soul of a man is played to perfection as he lives a daily battle with the rage and anger that has become his demon and undoing in life. Eddie Marsan's ability to communicate the sheer evilness of the abusive husband is gripping, especially considering the contrast he represents to other characters in the picture in that his character was more evil and nasty than fighting inner demons or pressure.

However, the major shout out of this film is Olivia Coleman's performance. It is truly astounding. I have been following her work ever since she appeared in a guest role in The Office. She just gets better and better. She expertly channels pressure of trying to keep one's self together despite having to live an intolerable and hidden existence. Despite her inevitable descent into the more during the course of the picture Coleman manages to continue having the audience feel nothing but sympathy and compassion for her character. An unfortunate victim of a world in which cruelty and evil is all too real and all to effecting should we come face to face with it in our lives.

I am not sure whether or not this picture has been released too late, but I was astounded to see Coleman not getting a best actress/best supporting actress nomination at the Academy Awards. I'm amazed how a performance like this gets overlooked, yet an actress from Bridsmaids gets the nod. It beggar's belief.

For those wanted a thought provoking film this is not to be missed. It is arguably the best British film of the year. For aspiring actors and actresses I would say this is a must watch.
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