This is a real humdinger of a western. The plot and dialogue move along quickly, with no time wasted on unlikely romance or saloon song. On the contrary, this tight little gem centers fully and solely on the great Randolph Scott. Here, Scott is at his lean, trim, handsomest best; the director senses this, and the film is noteworthy for featuring a number of lovely, soft, lingering close-ups of Randolph's grim face. To me, this is a wonderful touch and a delightful tribute to one the Westerns' greatest stars.
The co-stars are fine as well, but they definitely play second fiddle to Scott. One unexpected twist involves the town's "tinhorn" gambler, played by Victor Jory. Jory is the only member of the town to recognize Scott as a wanted outlaw, and is certainly in a position to blackmail him; however, in a quite unusual development, Jory chooses to befriend Scott, and remains his loyal friend to the end.
"Fighting Man on the Plains" is the perfect late-40's Western, a fully mature old-fashioned good-guys vs. bad-guys bit of adult theatre, a genre film crafted to its full potential; and it sets the stage nicely for the more psychologically complex Westerns of the 50's.
Highly recommended for lovers of Westerns.
The co-stars are fine as well, but they definitely play second fiddle to Scott. One unexpected twist involves the town's "tinhorn" gambler, played by Victor Jory. Jory is the only member of the town to recognize Scott as a wanted outlaw, and is certainly in a position to blackmail him; however, in a quite unusual development, Jory chooses to befriend Scott, and remains his loyal friend to the end.
"Fighting Man on the Plains" is the perfect late-40's Western, a fully mature old-fashioned good-guys vs. bad-guys bit of adult theatre, a genre film crafted to its full potential; and it sets the stage nicely for the more psychologically complex Westerns of the 50's.
Highly recommended for lovers of Westerns.