The main problem with these mini miniseries (2 episodes) is that the screenwriters forgot that the novel was subtitled " a tale of the Christ";and all that concerns Jesus is botched ;Wyler never showed his face and all his appearances in the 1959 version were memorable ,particularly when he gives some water to Ben Hur en route to the galleys.The first part of Lewis Wallace's- who said he was influenced by French writer Alexandre Dumas and his "Comte De Monte Cristo"- novel was entirely devoted to the Magi and the nativity.Ben Hur and Messala only appear simultaneously on page 74 of my edition!One should also note that there's an episode,never transferred to the screen ,when Ben Hur tries to raise an army to fight Rome and to save Jesus.He gives up,on the Golgotha,because a divine invisible intervention tells him HE must die.
Joseph Morgan,as an user has already pointed out by an user ,is too "Nordic" to be a convincing hero;Emily VanCamp as Esther is too gamine to compare favorably with Haya Harareet in the 1959 version.
Nevertheless ,the story is catchy and entertaining,in spite of (or because of) the changes the script has undergone:Messala ,for instance,is (so to speak) still alive -like in the novel-when the Christ is crucified;characters not present ,either in the silent version or in Wyler's were introduced in a tale even more melodramatic than the original: a Greek slave/courtesan who is skilled in love making (There is a hot sex scene between her and a virgin(?)Ben Hur)and in "special" beverages-perhaps an equivalent of Wallace's perfidious Iras;and a treacherous Jew named David,in love with Esther ;the valley of the lepers is ,if we are to believe the screenwriters,a safe place ,as we see Esther bringing bread to the unfortunate sick outcasts ;in Wyler 's version ,she kept her distance ,at least in her first visits.(in the book ,it's a servant who feeds the poor women and takes them to the Christ)
The political side,on the other hand ,is more detailed in the MTV work in the first sequences ,and Messala's attitude makes more sense after the tile incident (caused by the hero,like in the book,not by his sister).By the way,the mother,Miriam (no name in the book)has become Ruth,we can wonder why.
And in the end,the death of Messala is more human than in the 1959 movie or in the book ,in which the character works behind the scenes:he and Ben Hur do not have any conversation when they meet again.
Save it for a rainy day:it's no masterpiece,and the chariot race seems cheap ,but the subplots are numerous,the hints at Juda/Messala childhood are relevant and the supporting cast is up to scratch,with Ray Winstone,the stand out.
Best scene:the suicide of Arius in his bath ,as the water turns red.
Joseph Morgan,as an user has already pointed out by an user ,is too "Nordic" to be a convincing hero;Emily VanCamp as Esther is too gamine to compare favorably with Haya Harareet in the 1959 version.
Nevertheless ,the story is catchy and entertaining,in spite of (or because of) the changes the script has undergone:Messala ,for instance,is (so to speak) still alive -like in the novel-when the Christ is crucified;characters not present ,either in the silent version or in Wyler's were introduced in a tale even more melodramatic than the original: a Greek slave/courtesan who is skilled in love making (There is a hot sex scene between her and a virgin(?)Ben Hur)and in "special" beverages-perhaps an equivalent of Wallace's perfidious Iras;and a treacherous Jew named David,in love with Esther ;the valley of the lepers is ,if we are to believe the screenwriters,a safe place ,as we see Esther bringing bread to the unfortunate sick outcasts ;in Wyler 's version ,she kept her distance ,at least in her first visits.(in the book ,it's a servant who feeds the poor women and takes them to the Christ)
The political side,on the other hand ,is more detailed in the MTV work in the first sequences ,and Messala's attitude makes more sense after the tile incident (caused by the hero,like in the book,not by his sister).By the way,the mother,Miriam (no name in the book)has become Ruth,we can wonder why.
And in the end,the death of Messala is more human than in the 1959 movie or in the book ,in which the character works behind the scenes:he and Ben Hur do not have any conversation when they meet again.
Save it for a rainy day:it's no masterpiece,and the chariot race seems cheap ,but the subplots are numerous,the hints at Juda/Messala childhood are relevant and the supporting cast is up to scratch,with Ray Winstone,the stand out.
Best scene:the suicide of Arius in his bath ,as the water turns red.