As you sit in front of Le Prénom, you can't help but think how many similarities it shares with Carnage (Polanski, 2011): same middle class context, almost the same setting, but with that French flavour that makes everything much tastier. Vincent is about to become father for the first time, and, during a dinner at his sister's house, he's asked about the name his wife Anna and he want to give their son. This simple, lame question sets off an evening where secrets are revealed, feelings are declared and hypocrisy is unmasked.
I think the movie, built on a very strong and witty screenplay, wouldn't have worked the same if the actors hadn't been so good, with so much remarkable chemistry between them. The cast is directed as if it were a company in a theatre: everyone has to be empathic with the others, in order to make the script work.
Better to watch it in original language, with subtitles: it's worth the risk to miss some of the dialogue.
I think the movie, built on a very strong and witty screenplay, wouldn't have worked the same if the actors hadn't been so good, with so much remarkable chemistry between them. The cast is directed as if it were a company in a theatre: everyone has to be empathic with the others, in order to make the script work.
Better to watch it in original language, with subtitles: it's worth the risk to miss some of the dialogue.