For the sake of his daughter (Madge Evans), who wants to marry a playboy cad (Alan Mobrary) old enough to be her father, Lionel Barrymore is the lawyer who thinks he can get away with the perfect crime by making it possible for her daughter to marry a wealthy young man (William Bakewell) rather than the unsuitable cad.
The tale is taut, told with bits of humor and suspense on a dark night full of lightning and thunder. The old dark house elements work well within the confines of the contrived plot which has a bit of irony in the final twist which comes in a very abrupt and unexpected ending.
Performances are what you'd expect from a melodramatic film made in '31, and Lionel Barrymore gets his usual chance to chew most of the scenery with some help from Kay Francis as a woman he decides to throw suspicion on. His plan backfires in the final scene.
Interesting, if contrived, it's satisfying enough as a mystery to keep the attention riveted throughout.
The tale is taut, told with bits of humor and suspense on a dark night full of lightning and thunder. The old dark house elements work well within the confines of the contrived plot which has a bit of irony in the final twist which comes in a very abrupt and unexpected ending.
Performances are what you'd expect from a melodramatic film made in '31, and Lionel Barrymore gets his usual chance to chew most of the scenery with some help from Kay Francis as a woman he decides to throw suspicion on. His plan backfires in the final scene.
Interesting, if contrived, it's satisfying enough as a mystery to keep the attention riveted throughout.