Main Street (2010)
6/10
Not exactly a "main stream audience" oriented film, but, it has a great cast and some weighty topics
29 August 2012
Georgianna Carr (Ellen Burstyn) lives in a sleepy North Carolina town that has seen better days. Her father was a prominent businessman, in his day, and he kept a large warehouse for the tobacco farmers to store their product until it was manufactured into cigarettes and so on. That was long ago and this is now. Miss Carr is not wealthy and may have to sell her house. But, unbelievably, a Texan man, Gus Leroy (Colin Firth) wants to rent her warehouse and gives her six months rent in advance. Is this her way to keep her house? She agrees but finds out, too late, that he is storing hazardous waste, in government-regulated bins, until it can be properly disposed. Now, Miss Carr is so worried she asks her daughter, Willa (Patricia Clarkson) to help her find a way out. Meanwhile, Mary (Amber Tamblyn) a young twenty-something, beautiful lady discovers that the man she has been dating is married, technically, with two kids and won't seek a divorce until the children are adults. Whew! She contemplates moving to Atlanta, to the sorrow of Harris (Orlando Bloom) the town's sheriff who secretly, passionately loves her. Also, her parents are very reluctant to see her go as well. As to the warehouse, Willa tries to discuss things with Gus and finds out that they, both divorcees, may have a mutual attraction. Hey, this may not be a sleepy little town after all! When a heavy rain storm arrives, things get even more complicated. What will happen to these fine folk? Don't be fooled by the cover, with a smiling Mr. Firth in the center. This is not a light-hearted story but a fairly heavy look at a bevy of diverse topics. Among these are hazardous waste, aging Southern towns and the pursuits of the heart. The script, written by Horton Foote before his death, may have attracted the big name cast and they really are terrific. Firth has a genuine Texas twang so that's fun and Bloom sports a Southern drawl as well. More importantly, all of the principals give very touching turns. The small Dixie city has its charms, especially Miss Carr's house, and costumes, photography and direction are up to snuff. But, its generally a slow-moving, reflective film so not everyone will appreciate its better qualities. If you think you will, go for it.
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