Review of The Giants

The Giants (2011)
7/10
an enjoyable but dark and moody coming of age tale reminiscent of Huckleberry Finn and Stand By Me
3 November 2012
Warning: Spoilers
The Giants is an enjoyable but dark and moody coming of age tale from Belgian actor turned director Bouli Lanners (Nothing To Declare, etc). Cowritten by Lanners and Elise Ancion, the film is reminiscent of Mark Twain's The Adventures Of Huckleberry Finn and the classic Stand By Me, and it captures that awkwardness of burgeoning adolescence. Teenage brothers - 16 year old Seth (Martin Nissen) and 13 year old Zak (Zacharie Chasseriaud) are left by their absent mother to fend for themselves over the summer. Zac continually hopes that their mother will return, which adds a poignant note to their journey throughout the film. They spend time in their late grandfather's house near the lake, and their misadventures run the gamut from the comic to the more frightening. When they begin to run out of money they try to find ways to earn some extra cash. But when they hook up with Dany (Paul Bartel) they find themselves caught up in some adventures that are both scary and comical. They rent out their grandfather's house to the untrustworthy, cocaine snorting, marijuana growing Boeuf (Didier Toupy) and his minion Angel (who just happens to be Dany's older brother). The adults here add a sense of menace to proceedings although they are largely underused and clichéd characters. The three boys also find a sympathetic woman (played by Marthe Keller) who temporarily provides them with shelter and a safe haven. And there are some evocative shots of the tranquil Belgian landscape from cinematographer Jean-Paul de Zaetijd (returning to work with Lanners after 2008's festival-hit, Eldorado) that enrich the film. This is the third feature film from Lanners, following El Dorado and Ultranova, and he maintains a leisurely pace throughout as he evokes the freedoms and simple pleasures of childhood. But the film also has a darker edge as it explores some hard-hitting modern realities, such as poverty, drugs, abandonment and homelessness. The performances from the three boys are wonderfully natural and unforced and they develop a wonderful chemistry. Of the three young stars though it is Chasseriaud who stands out as Zac. He provides a natural, winning performance and is utterly compelling to watch. Karim Leklou in particular brings energy and menace to his role as the psychotically violent Angel, Dany's unhinged older brother.The melancholy score from Belgian folk musician The Bony King Of Nowhere is also evocative and adds to the mood of the film.
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