As a woman struggles to come to grips with her past in the wake of her mother's death, an unsettling presence emerges in her childhood home.
First, let me praise Casper VanDien, who (to put it bluntly) did not suck. I cannot say he is particularly known for his superb acting, having done a number of cheesy movies, but VanDien shows off his acting chops here. This kind of performance could get you a supporting actor Oscar if it was not in a horror film.
I heard the judges at Sundance were praising Nick McCarthy's direction, and that is absolutely fair. Above all else, the camera is the star here. Maybe we should give that credit to the cinematographer (Bridger Nielson), but it is hard to draw that line -- could one have been great without the other? Alan Bacchus said that the film was "smart, well written and genuinely scary". He is right on all three counts. I rarely find horror films scary (I am immune to their nonsense), but I actually had to peek through my fingers at one point. I am embarrassed to say it, but this is true. Well done!
First, let me praise Casper VanDien, who (to put it bluntly) did not suck. I cannot say he is particularly known for his superb acting, having done a number of cheesy movies, but VanDien shows off his acting chops here. This kind of performance could get you a supporting actor Oscar if it was not in a horror film.
I heard the judges at Sundance were praising Nick McCarthy's direction, and that is absolutely fair. Above all else, the camera is the star here. Maybe we should give that credit to the cinematographer (Bridger Nielson), but it is hard to draw that line -- could one have been great without the other? Alan Bacchus said that the film was "smart, well written and genuinely scary". He is right on all three counts. I rarely find horror films scary (I am immune to their nonsense), but I actually had to peek through my fingers at one point. I am embarrassed to say it, but this is true. Well done!