If you haven't time to immerse yourself in the mini-series, then this two hour, compact 'preview' will give you a neatly constructed overview of the virile King and his exploits as he seeks to secure his lineage by conceiving a successor to his throne.
Rather than condense aspects of the original mini-series (which essentially set aside one episode per wife, to put it crudely), this film version has been entirely remade. Only Michell reprises his title role, showcasing his intuitive interpretation of the rambunctious, though fragile majesty. Perhaps predictably, Charlotte Rampling's Anne Boleyn has the greatest exposure, though each of the wives acquit themselves well with the often limited dedicated screen time (the lovely Jane Asher playing the ill-fated Jane Seymour stands-out among the rest).
Aussie actor Michell is a more vulnerable King Henry VIII than other memorable incarnations produced by Charles Laughton or Robert Shaw, displaying a deep-seeded personality conflict that while not unique to the character, is played with a more sympathetic tone and gesture. This changes of course as his jealousy and mistrust is fanned by those obsequious to him, courting their own power and favour - the insipid Cromwell played with aplomb by the versatile Donald Pleasance.
Hussein's ultra-light has its dramatic moments, although clearly it proves difficult to compress the details of six marriages and their respective intrigue into a two-hour snapshot. For a preview, it's superb, though it remains inferior to the mini-series time permitting.
Rather than condense aspects of the original mini-series (which essentially set aside one episode per wife, to put it crudely), this film version has been entirely remade. Only Michell reprises his title role, showcasing his intuitive interpretation of the rambunctious, though fragile majesty. Perhaps predictably, Charlotte Rampling's Anne Boleyn has the greatest exposure, though each of the wives acquit themselves well with the often limited dedicated screen time (the lovely Jane Asher playing the ill-fated Jane Seymour stands-out among the rest).
Aussie actor Michell is a more vulnerable King Henry VIII than other memorable incarnations produced by Charles Laughton or Robert Shaw, displaying a deep-seeded personality conflict that while not unique to the character, is played with a more sympathetic tone and gesture. This changes of course as his jealousy and mistrust is fanned by those obsequious to him, courting their own power and favour - the insipid Cromwell played with aplomb by the versatile Donald Pleasance.
Hussein's ultra-light has its dramatic moments, although clearly it proves difficult to compress the details of six marriages and their respective intrigue into a two-hour snapshot. For a preview, it's superb, though it remains inferior to the mini-series time permitting.