I have just finished reading the book the other day, and today I got to watch the film version. With the book still so fresh in my head, I went into the cinema with very high expectations. This is specially so after reading and hearing reviews which call Ang Lee's cinematic masterpiece visually comparable to "Avatar" or emotionally comparable to "The Little Prince," as well as all of the awards buzz.
The book for me was a pleasant though slow read because of the lengthy wordy, even flowery, descriptions Yann Martel uses for his languid reflection on zoo life, his comparative study of Hindu, Christian and Moslem philosophy, and of course, his survival tale at sea by a teenager and a Bengal tiger sharing one lifeboat. It waxes philosophical in the beginning, then waxes fantastical in the middle, before settling for dry reality at the end. While a movie could probably improve on the imagery for each scene, there are several key parts of the novel that would entail a lot of narration. On the big screen, too much narration cannot be too good.
My first assumption turned out to be true. The cinematography and visual effects were expectedly first rate and excellent. Those camera angles were breathtaking. The colors were very vibrant. The special effects regarding animals were realistic for the most part, especially the land mammals, particularly Richard Parker. Though I have to say that the water creatures were too obviously computer-generated, not too good. A most triumphant sequence in the film for me were the scenes on the floating green island of algae and meerkats. I thought that was ideally visualized and executed, so much better than that chapter of the book.
My second assumptions also turned out true. A lot of the story needed to be narrated by an adult Pi Patel as he was being interviewed by a novelist researching for his next book. These bookending present day scenes were pretty dry for me. The whole last chapter of the book when Pi was interviewed by the Japanese shipping officials was all one long narration only without supporting imagery. All of this talky narration may be boring for some people.
In order to make the film appeal to more people, Ang Lee spares us from gory details which the book was not averse to describing in graphic detail. In the film, the screen time of the zebra, orangutan and hyena was very short. For all the brutality that was supposed to have happened on board, Ang's lifeboat remains almost pristine white. I thought that was quite merciful of Ang. I wish I could also say the same for some sappy melodramatic scenes, like Richard Parker laying his head on Pi's lap, which were not in the book.
Overall, this film version of "Life of Pi" is very good, but it can be disappointing for people who have read the book. It was a loyal albeit sanitized version of the book, which is not really a bad thing. The book was not exactly inspirational to me, more educational actually. For this film, Ang Lee seemingly aspired to make this movie inspirational, and these obvious efforts may prove to backfire for some audiences.
The book for me was a pleasant though slow read because of the lengthy wordy, even flowery, descriptions Yann Martel uses for his languid reflection on zoo life, his comparative study of Hindu, Christian and Moslem philosophy, and of course, his survival tale at sea by a teenager and a Bengal tiger sharing one lifeboat. It waxes philosophical in the beginning, then waxes fantastical in the middle, before settling for dry reality at the end. While a movie could probably improve on the imagery for each scene, there are several key parts of the novel that would entail a lot of narration. On the big screen, too much narration cannot be too good.
My first assumption turned out to be true. The cinematography and visual effects were expectedly first rate and excellent. Those camera angles were breathtaking. The colors were very vibrant. The special effects regarding animals were realistic for the most part, especially the land mammals, particularly Richard Parker. Though I have to say that the water creatures were too obviously computer-generated, not too good. A most triumphant sequence in the film for me were the scenes on the floating green island of algae and meerkats. I thought that was ideally visualized and executed, so much better than that chapter of the book.
My second assumptions also turned out true. A lot of the story needed to be narrated by an adult Pi Patel as he was being interviewed by a novelist researching for his next book. These bookending present day scenes were pretty dry for me. The whole last chapter of the book when Pi was interviewed by the Japanese shipping officials was all one long narration only without supporting imagery. All of this talky narration may be boring for some people.
In order to make the film appeal to more people, Ang Lee spares us from gory details which the book was not averse to describing in graphic detail. In the film, the screen time of the zebra, orangutan and hyena was very short. For all the brutality that was supposed to have happened on board, Ang's lifeboat remains almost pristine white. I thought that was quite merciful of Ang. I wish I could also say the same for some sappy melodramatic scenes, like Richard Parker laying his head on Pi's lap, which were not in the book.
Overall, this film version of "Life of Pi" is very good, but it can be disappointing for people who have read the book. It was a loyal albeit sanitized version of the book, which is not really a bad thing. The book was not exactly inspirational to me, more educational actually. For this film, Ang Lee seemingly aspired to make this movie inspirational, and these obvious efforts may prove to backfire for some audiences.