10/10
Inglorious Basterds
27 January 2013
Warning: Spoilers
There comes a time when you decide not to run. L'armée des Ombres is perhaps Melville's finest accomplishment. The rain in the opening credits pretty much tells you what you're in for. Torture, murder, futility and the ever-present cloud of endless war, is this the French Resistance in World War II or was it made yesterday? Stylish and sedate, Melville finally took on a subject worthy of his skilled eye above pop heist yarns. He was slammed around during the release because of petty politics, but it holds up like the pyramids today when nobody cares who or what a de Gaul apologist was. This thankless, gritty and thoroughly unglamourus study of an underground militia on the run isn't something you will soon forget.

The most common complaint about the film seems to focus on the pacing and length. This is something I simply do not understand. When L'armée des Ombres finishes, you feel as if you have been through a torrent of experiences just as Gerbier. Any speedier editing and the movie would come off as a popular spy film - and it simply is not a fit for that genre. Even the cinematography tells us it's going to be a dim journey. It feels as if every scene is filmed through a neutral density filter and the blue cast doesn't allow any warmth in whatsoever. Though the framing is often static, there are indeed some breathtaking camera moves at the right moments.

L'armée des Ombres may not have the cool factor of the Delon pictures, but it's got truth on it's side and a truckload of memorable characters and performances. There is a masterwork here for those looking to see something special. If you want something faster, go watch Ocean's 11 and forget what you saw ten minutes later. L'armée des Ombres will stay with you a long time.
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