"Golden Boy" illustrates a literary technique called intercalation, which isn't as hard to understand as its highfalutin' name suggests. It means that one story is sandwiched inside of another. Every episode begins with part one of story A: Commissioner Clark, in about the year 2020, finds himself in a situation that reminds him of a lesson he learned (or in some cases mis-learned?) in 2013. Flashback to story B: How then-Detective Clark learned a lesson. Finally, flash forward to part two of story A: Commissioner Clark either applies or reflects on the lesson he learned back in 2013.
Variations on this technique are old: The Gospel According to Mark is full of intercalation, and there as here, the effect can be to underline the moral of the story. ("Pulp Fiction" (1994) uses it seemingly to underline the randomness of life.) It undermines much of the suspense in "Golden Boy": When Clark gets in trouble, the tension is relieved by our knowledge that he will not only live but become commissioner of police; so we know he is going to get out of any trouble he is in. The only thing we might feel anxious about are the hints that his path to the top is going to be costly. His conflict with a fellow detective is going to lead to a crisis, and we do not know whether his old partner (Chi McBride) is going to live to see Clark become commissioner. We also see that Commissioner Clark has a permanent limp, which seems to indicate that he might be going to face death even though we know he will cheat it for the time being.
This show would be edgier if we didn't know that Clark is going to overcome his obstacles. Knowing that he cannot die, even though those around him might, is a source of tension only where the other characters are concerned; his own near immortality seems a bit weird.
Variations on this technique are old: The Gospel According to Mark is full of intercalation, and there as here, the effect can be to underline the moral of the story. ("Pulp Fiction" (1994) uses it seemingly to underline the randomness of life.) It undermines much of the suspense in "Golden Boy": When Clark gets in trouble, the tension is relieved by our knowledge that he will not only live but become commissioner of police; so we know he is going to get out of any trouble he is in. The only thing we might feel anxious about are the hints that his path to the top is going to be costly. His conflict with a fellow detective is going to lead to a crisis, and we do not know whether his old partner (Chi McBride) is going to live to see Clark become commissioner. We also see that Commissioner Clark has a permanent limp, which seems to indicate that he might be going to face death even though we know he will cheat it for the time being.
This show would be edgier if we didn't know that Clark is going to overcome his obstacles. Knowing that he cannot die, even though those around him might, is a source of tension only where the other characters are concerned; his own near immortality seems a bit weird.