From 1985: "Target," directed by Arthur Penn, stars Gene Hackman and Matt Dillon as father and son.
"Target" concerns the abduction of Walter Lloyd's (Hackman) wife while she is in France with a tour group. Lloyd understands the implications immediately, but his son Chris (Matt Dillon) doesn't: Someone is after Lloyd, or information in his possession. Father and son leave immediately for Europe to find her. There, Chris learns information about his father that he never knew. And that's all I can say without giving the game away - which, if you've seen a lot of these films, is pretty apparent.
The problem with "Target" is in the beginning of the film, which has a TV-movie feel to it. Plus, despite locations in Paris and Germany later on, the beginning has a cheap feel to it due to the music and credits, not to mention some trite dialogue and the usual "try to get to know your son while I'm away" speech. It's a bad set-up.
Gene Hackman is terrific as Walter, and Matt Dillon is fine as his son. The standout performance, in my opinion, is by the great acting guru and Broadway star Herbert Berghof in a rare film appearance toward the end of the movie. There are some excellent European actors as well, including the Russian actress Viktoriya Fyodorova.
If not for the beginning, which threw me off, this would have been a better film.
"Target" concerns the abduction of Walter Lloyd's (Hackman) wife while she is in France with a tour group. Lloyd understands the implications immediately, but his son Chris (Matt Dillon) doesn't: Someone is after Lloyd, or information in his possession. Father and son leave immediately for Europe to find her. There, Chris learns information about his father that he never knew. And that's all I can say without giving the game away - which, if you've seen a lot of these films, is pretty apparent.
The problem with "Target" is in the beginning of the film, which has a TV-movie feel to it. Plus, despite locations in Paris and Germany later on, the beginning has a cheap feel to it due to the music and credits, not to mention some trite dialogue and the usual "try to get to know your son while I'm away" speech. It's a bad set-up.
Gene Hackman is terrific as Walter, and Matt Dillon is fine as his son. The standout performance, in my opinion, is by the great acting guru and Broadway star Herbert Berghof in a rare film appearance toward the end of the movie. There are some excellent European actors as well, including the Russian actress Viktoriya Fyodorova.
If not for the beginning, which threw me off, this would have been a better film.