This is an extraordinarily bizarre film written and directed by the immensely talented Giuseppe Tornatore, who is so well known for CINEMA PARADISO (1988), EVERYBODY'S FINE (1990, see my review), THE LEGEND OF 1900 (1998), THE UNKNOWN WOMAN (2006), and other films. He does not always get it quite right, as for instance with THE STAR MAKER (1995), which I thought misfired somewhat. In this weird, intense and claustrophobic film, Tornatore attempts to keep us on the edge of our seats for the entire time with suspense and tension, but it is only partially successful. The film stars Gerard Depardieu and Roman Polanski, who confront one another continually throughout the film in an interrogation situation, where Polanski is the 'Commissaire' (police chief) of an obscure place where it is always raining and the ceiling leaks, and Depardieu is the murder suspect. The film is shot in French, despite having an Italian title. DVDs with English subtitles are now very rare, and have become something of a collector's item, for those who want to collect it, that is! I sat through the whole thing and kept wishing Tornatore had pulled it off entirely, but both actors were incapable of the extreme, unrelenting intensity and the vast range of changing emotions required. There are moments when Depardieu is absolutely brilliant, especially when he becomes wistful. But the cascades of alternating confrontation and sympathy between the two men required greater masters of the acting art, and perhaps a more subtle script. Also, the film is deeply depressing and a real 'downer'. All that gloom and dripping water really gets you down after a while. Of course, the story has a profound explanation, the mystery is indeed deeply intriguing and surprising, and it all turns out to make perfect sense, and has a message as well. But to explain that would require discussing the ending, which is against IMDb rules. Anyone interested in Tornatore and his career needs to see this, as it is a one-off. The film is not recommended for light entertainment purposes. In other words, this is a film for cineastes, not for ordinary viewers. Of course, if you have a deep interest in Depardieu and Polanski as actors, you will need to see it, as they never did anything like this before, or since.
Review of A Pure Formality
