7/10
Nuanced Analysis of Extremism
14 July 2013
NEW TORK'TA BES MINARE starts off in familiar fashion, as two Turkish cops travel to New York in pursuit of an alleged terrorist from Turkey who has been living in New York for thirty-seven years. There they encounter a group of FBI agents with innate prejudices against foreigners, and Muslims in particular. The two cops are drawn into a complex world, presided over by Islamic convert Danny Glover, where they seem apparently powerful to act. As the film unfolds, however, so the story becomes more complex. Hadji (Haluk Bilginer), ostensibly the prime suspect in the case - whose capture the Turkish cops are entrusted with - turns out to be completely different from what we, as the audience, expect of him. Director Mahsun Kirmizigul's film turns out to be a meditation on extremism, irrespective of religious difference: some Americans, as well as Turks, seem incapable of adopting either a moderate or a tolerant point of view. The film has a surprise ending, where we discover the true reason why Hadji went to America, and what kind of a person he actually was. Both noble yet self-aware, he remains a figure to admire in a complex world. NEW YORK'TA BES MINARE is an unexpectedly complex work, tautly filmed and grippingly told.
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