The Half Naked Truth is directed by Gregory La Cava who also co-writes the screenplay with Corey Ford from a story by Ben Markson and H.N. Swanson. It stars Lupe Velez, Lee Tracy, Eugene Palette and Frank Morgan. Music is by Max Steiner and cinematography by Bert Glennon.
A carnival barker and a spunky belly dancer take on the might of Broadway...
Based on the book The Anatomy of Ballyhoo: Phantom Fame (David Freedman & Harry Reichenbach), The Half Naked Truth is a smart and near caustic observation on the product of celebrity status. While not in the same league as the best of Preston Sturges, it's a film of many pleasures if you have a bent for rapid fire dialogue and scattergun pacing. What unfolds during the story is basically that an energetic Lee Tracy as Bates pulls stunts galore to bluff the whole of Broadway. The ruse is that Velez's belly dancer is actually a foreign princess and Bates engineers openings to stardom because of it. But of course problems are around the corner.
Sharp performances back up the sharp script and some of the stunts pulled by Bates are very funny. It's something of an acquired taste, as comedy - especially the screwball variety - invariably always is, but this is a good pre-code comedy that has more beneath the surface than is first apparent. 7/10
A carnival barker and a spunky belly dancer take on the might of Broadway...
Based on the book The Anatomy of Ballyhoo: Phantom Fame (David Freedman & Harry Reichenbach), The Half Naked Truth is a smart and near caustic observation on the product of celebrity status. While not in the same league as the best of Preston Sturges, it's a film of many pleasures if you have a bent for rapid fire dialogue and scattergun pacing. What unfolds during the story is basically that an energetic Lee Tracy as Bates pulls stunts galore to bluff the whole of Broadway. The ruse is that Velez's belly dancer is actually a foreign princess and Bates engineers openings to stardom because of it. But of course problems are around the corner.
Sharp performances back up the sharp script and some of the stunts pulled by Bates are very funny. It's something of an acquired taste, as comedy - especially the screwball variety - invariably always is, but this is a good pre-code comedy that has more beneath the surface than is first apparent. 7/10