Watch this film and not only will you realize how good singer Bobby Darin could be in a dramatic role, but you may come to regard its co-writer / director Hubert Cornfield ("The Night of the Following Day") as an under-rated talent. It's mostly a two character piece in which an eminent psychiatrist (Sidney Poitier) attempts to help one of his employees (Peter Falk) by telling a story of the major case of his life, when he was a prison doctor during WWII. Poitier was assigned a young man (Darin), jailed for sedition, who's very upfront about his bigotry and hatred. Not surprisingly, the patient had a traumatic childhood and now suffers from nightmares and blackouts. Poitier tries to maintain his professionalism, but the young man sets off something inside of him.
Poitier as always has a very authoritative presence and he and Darin work extremely well together. They have a lot of dialogue to deliver and completely immerse themselves in these troubled characters. Darin reveals enough depth here that people may wonder why he didn't pursue more serious roles. Cornfield creates some wonderfully stark atmosphere and stylish visuals, but never goes overboard, having the proper respect in the source material, a true case detailed in Dr. Robert M. Lindners' "The Fifty-Minute Hour". Some moments are quite memorable, such as the scenes with the patients' unloving father (James Anderson), a butcher. There's also an incredible scene of an epic session of tic-tac-toe that could have come off as silly but which has a powerful creepiness about it.
Overall, this is an effectively done little drama that isn't as well known as it ought to be. It's well worth seeing for the interplay between Poitier and Darin alone.
Eight out of 10.
Poitier as always has a very authoritative presence and he and Darin work extremely well together. They have a lot of dialogue to deliver and completely immerse themselves in these troubled characters. Darin reveals enough depth here that people may wonder why he didn't pursue more serious roles. Cornfield creates some wonderfully stark atmosphere and stylish visuals, but never goes overboard, having the proper respect in the source material, a true case detailed in Dr. Robert M. Lindners' "The Fifty-Minute Hour". Some moments are quite memorable, such as the scenes with the patients' unloving father (James Anderson), a butcher. There's also an incredible scene of an epic session of tic-tac-toe that could have come off as silly but which has a powerful creepiness about it.
Overall, this is an effectively done little drama that isn't as well known as it ought to be. It's well worth seeing for the interplay between Poitier and Darin alone.
Eight out of 10.