The names of leading Italian directors namely Matteo Garrone, Marco Tullio Giordana, Francesco Rosi, Gianni Amelio, Elio Petri etc come to mind whenever one thinks of political cinema. By successfully depicting the milieu in which Palermo's mafia has held its sway in Italy, Giuseppe Ferrara has joined this coveted list with his political film '100 days in Palermo'. His film is highly gripping to the core as it makes good use of real life situations to talk about political corruption in Italy which had completely shattered people's trust in democracy. This is one reason why viewer don't lose interest as what is being depicted concerns them both from a political as well as a sociological perspective. Apart from its tough political stances, Cento Giorni A Palermo focuses enormously on its hero's rather tricky personal life which has also become a victim of undue political pressures. It is this proximity to authenticity which lends itself an air of universal appeal as most honest officials anywhere in the world would be compelled to face the same consequences as depicted in this film. Hundred days in Palermo is a highly researched work of art which captures in great detail all the conflicts which made it easy for mafia to rule in Palermo. Lastly, Giuseppe Ferrara has brilliantly questioned two major philosophical notions in his true to 'documentary style' film which depicts one man's relentless fight against corruption. Lastly, it would be in the interests of any good student of political philosophy to discuss whether the state and the government are the same ? and is law merely a form of tool to fight injustice ?