Directed by and starring Orson Welles, this is a hugely atmospheric version of the Shakespeare tragedy which plays up the Gothic horror of the play for all its worth. There are nice little stylistic touches of originality, like the creepy voodoo-style doll used by the witches in the opening scene which crops up later on.
So far, this is my third favourite version of the story, following on from Polanski's harrowing and excellent TRAGEDY OF MACBETH and Kurosawa's compelling and very different THRONE OF BLOOD. MACBETH shares some similarities with the latter, namely in the atmospheric scene-building and scenes of characters riding through foggy and desolate landscapes.
Sadly, the dialogue scenes are the one that lack here. The dialogue is authentic Shakespeare all right, and Welles is certainly a great actor, but I found something lacking. Welles just wasn't moving or involving in the same way Mifune and Finch were involving as the lead. Jeanette Nolan is a scene-chewing Lady Macbeth but lacks a certain something, and seeing the faces of Dan O'Herlihy and in particular Roddy McDowall in support is just, well, odd.
This movie is not without merit, and as an exercise in scene-building and set design it's rather excellent. Some moments, like the gripping climax, are brilliant, but other scenes just feel stodgy and don't progress the plot, so it's good in places and weak in others. Nice effort, though.
So far, this is my third favourite version of the story, following on from Polanski's harrowing and excellent TRAGEDY OF MACBETH and Kurosawa's compelling and very different THRONE OF BLOOD. MACBETH shares some similarities with the latter, namely in the atmospheric scene-building and scenes of characters riding through foggy and desolate landscapes.
Sadly, the dialogue scenes are the one that lack here. The dialogue is authentic Shakespeare all right, and Welles is certainly a great actor, but I found something lacking. Welles just wasn't moving or involving in the same way Mifune and Finch were involving as the lead. Jeanette Nolan is a scene-chewing Lady Macbeth but lacks a certain something, and seeing the faces of Dan O'Herlihy and in particular Roddy McDowall in support is just, well, odd.
This movie is not without merit, and as an exercise in scene-building and set design it's rather excellent. Some moments, like the gripping climax, are brilliant, but other scenes just feel stodgy and don't progress the plot, so it's good in places and weak in others. Nice effort, though.