Greetings again from the darkness. You may be familiar with the source material - the huge best selling novel from Markus Zusak. If not, you may be surprised at the "through the eyes" of an illiterate, orphaned child's perspective of the German home front during WWII. You may be more surprised to learn that it's narrated by The Grim Reaper (British actor Roger Allam), and includes a Nazi rally, book-burning, bomb shelters, a look at the anti-Jew and anti-Communist movements, the German conscription/military draft and the dangers associated with hiding a Jew in one's basement.
There is no denying the melodramatic nature of the story, but this one avoids schmaltz thanks to the remarkable performances of the great Geoffrey Rush and Emily Watson, and especially Sophie Nelisse as the incredibly perceptive Liesel who provides the innocence and powers of observation that prove to us (and Death) that good people will do extraordinary things no matter the atrocious conditions.
As Liesel's foster parents, Rush plays a warm-hearted WWI veteran and Watson plays a cantankerous, grounded woman hiding the emotion she carries for her husband and new daughter. The biggest piece of hiding involves Max, a young Jewish man who is the son of a soldier who once saved the life of Rush's character. Max and Liesel have a wonderful bond as he teaches her to speak through her eyes and she nurses him back to health by sharing her new found joy of reading.
The ghost of the boy who lived in the shadows ... from H.G. Wells "The Invisible Man" plays a key role as Liesel tries to make sense of a world that delivers a daily dose of relentless danger. As she develops her love and dependence on the written word, it's clear that to survive in these times, one must have something that provides hope. The unusual story structure with the odd narrator, and a mix of wry humor, keep us connected with the characters and allow the humanity to shine through. Still, I challenge you to watch this without a lump in your throat. www.MovieReviewsFromTheDark.wordpress.com
There is no denying the melodramatic nature of the story, but this one avoids schmaltz thanks to the remarkable performances of the great Geoffrey Rush and Emily Watson, and especially Sophie Nelisse as the incredibly perceptive Liesel who provides the innocence and powers of observation that prove to us (and Death) that good people will do extraordinary things no matter the atrocious conditions.
As Liesel's foster parents, Rush plays a warm-hearted WWI veteran and Watson plays a cantankerous, grounded woman hiding the emotion she carries for her husband and new daughter. The biggest piece of hiding involves Max, a young Jewish man who is the son of a soldier who once saved the life of Rush's character. Max and Liesel have a wonderful bond as he teaches her to speak through her eyes and she nurses him back to health by sharing her new found joy of reading.
The ghost of the boy who lived in the shadows ... from H.G. Wells "The Invisible Man" plays a key role as Liesel tries to make sense of a world that delivers a daily dose of relentless danger. As she develops her love and dependence on the written word, it's clear that to survive in these times, one must have something that provides hope. The unusual story structure with the odd narrator, and a mix of wry humor, keep us connected with the characters and allow the humanity to shine through. Still, I challenge you to watch this without a lump in your throat. www.MovieReviewsFromTheDark.wordpress.com