6/10
Poorly directed and so, so outdated; interesting for context
5 January 2014
Warning: Spoilers
I must disagree with several of the reviews here by our members. Not because I think this is a great film -- it's not. But because they seem a bit unaware of the situation.

First, in terms of why the popularity of his films fell off. This film was a healthy money-maker, and so were several of his films after this. But, particularly in the early days of Hollywood, the film industry tended to go through cycles of "taste". Some of the cycles were stories about rich people all taking place during the Depression, stories about jewel thieves, stories that took place in exotic lands, etc. And one cycle was "Latin lovers"...a cycle which lasted about a decade, beginning with Valentino and practically ending with Novarro. And why did that cycle end? The coming of the American hero -- Gable and Cagney in 1931, just one year after this film. American tastes were changing.

Second, rather than blame Novarro for the problems with this film, I choose to blame the director. Slow pace -- that's the director's responsibility. Meandering script -- how is that the actor's fault? Poor sound -- after all, the film was made just 3 years into the talkies and the big improvements that arrived right around this time. This looks like a fairly big budget film for MGM...consider the sets, for example.

I found the criticisms of Novarro's acting interesting. It certainly doesn't fit today's tastes (nor does his singing voice...a style that was totally outdated by a decade later when the crooners took over. What did I see in Novarro's acting? He appears pleasant on screen here; a good person. But I saw gay mannerisms by an actor trying to be suave and manly. And that's why I think his acting here doesn't quite work.

I know what you may be thinking. This review is just written by a Novarro fan. Nope. First movie of his that I ever saw. But what is missing in many of the reviews here is context. And the context is a threshold of change in Hollywood -- change in what is desired in a leading man, change is the type of stories to be told, change in the technical abilities of the Hollywood studios, change in the tastes of the American public.

This is worth watching for a glimpse of really old Hollywood on the verge of morphing into the Gables and Loys and Cagneys and Davises.
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