Violence is the theme of "The Killing Of America", a visually graphic compendium of murder in the U.S.A. "Guns and more guns" intones the narrator, as shots are fired, victims fall, chaos ensues, and the killer's face appears on screen ... over and over and over, one crime after another. Watching this film you'd think that there's a killer hiding behind every bush.
Beginning with the JFK assassination and progressing to the early eighties, the film compresses some twenty years of violence into ninety minutes, giving a somewhat distorted cultural impression. How does the murder rate during those twenty years compare to prior decades? The film doesn't tell us. How does that period compare to more recent times? The film can't tell us. So that one problem with "The Killing Of America" is that it is time-bound, stuck in a particular era, without reference to the past or future.
One might also ask ... how does American gun violence compare to other countries? The film compares the U.S. to Japan and England, which have ultra-low murder rates. Beyond that, the film doesn't say. Recent statistics show that in comparison to other industrialized nations, the U.S. has a higher murder rate than any country except Russia. But when compared to non-industrial countries, like Honduras, Venezuela, and the Ivory Coast, violence in America is quite low. So a second problem with the film's message is lack of adequate geographic perspective.
There's also a problem with the film's structure. Although there's a general chronological progression of events, I cannot justify the film's sequential positioning of different types of gun violence, for example, a political assassination followed by some local neighborhood murder, followed by an expose on a highly publicized serial killer. Such sequencing is haphazard and arbitrary. Apart from the obvious violence, what is the unifying theme in this jumble of cases?
The visuals in the copy I watched are poor with lots of out-of-focus scenes, though that can partly be explained by impromptu photography. Overall images trend a little too dark. Sound quality also is poor in spots. Most background music is a bit too frenzied and too loud. John Lennon's song "Imagine" provides a welcome reprieve at the end.
There is no question that the level of violence in the U.S. was then, and still is, too high. "The Killing Of America" does indeed provide factual information, with very good video footage of local murders and highly publicized national cases. But the political bias toward gun control is blatant. And the overall production suffers from morbid exploitative visuals at the expense of calm, rational analysis.
Beginning with the JFK assassination and progressing to the early eighties, the film compresses some twenty years of violence into ninety minutes, giving a somewhat distorted cultural impression. How does the murder rate during those twenty years compare to prior decades? The film doesn't tell us. How does that period compare to more recent times? The film can't tell us. So that one problem with "The Killing Of America" is that it is time-bound, stuck in a particular era, without reference to the past or future.
One might also ask ... how does American gun violence compare to other countries? The film compares the U.S. to Japan and England, which have ultra-low murder rates. Beyond that, the film doesn't say. Recent statistics show that in comparison to other industrialized nations, the U.S. has a higher murder rate than any country except Russia. But when compared to non-industrial countries, like Honduras, Venezuela, and the Ivory Coast, violence in America is quite low. So a second problem with the film's message is lack of adequate geographic perspective.
There's also a problem with the film's structure. Although there's a general chronological progression of events, I cannot justify the film's sequential positioning of different types of gun violence, for example, a political assassination followed by some local neighborhood murder, followed by an expose on a highly publicized serial killer. Such sequencing is haphazard and arbitrary. Apart from the obvious violence, what is the unifying theme in this jumble of cases?
The visuals in the copy I watched are poor with lots of out-of-focus scenes, though that can partly be explained by impromptu photography. Overall images trend a little too dark. Sound quality also is poor in spots. Most background music is a bit too frenzied and too loud. John Lennon's song "Imagine" provides a welcome reprieve at the end.
There is no question that the level of violence in the U.S. was then, and still is, too high. "The Killing Of America" does indeed provide factual information, with very good video footage of local murders and highly publicized national cases. But the political bias toward gun control is blatant. And the overall production suffers from morbid exploitative visuals at the expense of calm, rational analysis.