The frantic and anarchic style of Olsen And Johnson was never put to better use than in Crazy House. The boys have Universal Pictures in a state of siege at the thought of their returning to the lot after the success of Hellzapoppin'. Great success, but no one wants to work with them again. A whole lot of familiar faces show up to tell them just that.
When they do get to see producer Thomas Gomez he dismisses them, but aspiring director Patric Knowles sticks up for them. So Ole, Chic, and Pat decide to make their own film and when name stars refuse them, they hire unknowns like carhop Martha O'Driscoll as a singer.
The big problem is when they mistake Percy Kilbride for a wealthy backer. Percy is a refugee from a rubber room who only thinks he has great wealth. So when the creditors don't get paid, they hatch a plot to steal Olsen and Johnson's labor of love and laughs.
Just about everyone who was working on the Universal lot with the exception of Abbott&Costello and Deanna Durbin got into Crazy House even for only a walk on. And I did love the fact that a whole slew of second banana comics got a bit in this film and that would include Billy Gilbert, Shemp Howard, and Edgar Kennedy as a sorely tried judge. And Cass Daley gets a dual role as Cass Daley and her lookalike cousin Sadie whom the boys sign for the film.
Add Allan Jones singing The Donkey Serenade and you have a great comic film. Jones does this as part of a stall during the premiere of their masterpiece. Why they are stalling is for you to see. And still more musical guest stars that I can't name all of them. In fact this is the only all star extravaganza that was filmed from 1941-45 without a single reference to the war.
Ole and Chic were not really at their best on screen. Like Al Jolson you had to see them live to get the full effect of their zany comedy. Rowan&Martin were the closest to them with their anarchic Laugh-In show. Still Crazy House and Hellzapoppin' are the best examples of their work.
When they do get to see producer Thomas Gomez he dismisses them, but aspiring director Patric Knowles sticks up for them. So Ole, Chic, and Pat decide to make their own film and when name stars refuse them, they hire unknowns like carhop Martha O'Driscoll as a singer.
The big problem is when they mistake Percy Kilbride for a wealthy backer. Percy is a refugee from a rubber room who only thinks he has great wealth. So when the creditors don't get paid, they hatch a plot to steal Olsen and Johnson's labor of love and laughs.
Just about everyone who was working on the Universal lot with the exception of Abbott&Costello and Deanna Durbin got into Crazy House even for only a walk on. And I did love the fact that a whole slew of second banana comics got a bit in this film and that would include Billy Gilbert, Shemp Howard, and Edgar Kennedy as a sorely tried judge. And Cass Daley gets a dual role as Cass Daley and her lookalike cousin Sadie whom the boys sign for the film.
Add Allan Jones singing The Donkey Serenade and you have a great comic film. Jones does this as part of a stall during the premiere of their masterpiece. Why they are stalling is for you to see. And still more musical guest stars that I can't name all of them. In fact this is the only all star extravaganza that was filmed from 1941-45 without a single reference to the war.
Ole and Chic were not really at their best on screen. Like Al Jolson you had to see them live to get the full effect of their zany comedy. Rowan&Martin were the closest to them with their anarchic Laugh-In show. Still Crazy House and Hellzapoppin' are the best examples of their work.